Today’s Tell Me comes from the ever fabulous, incredibly talented Marie Bilodeau. She is a storyteller, author, gamer, and so much more. She tells me how she borrowed from her gaming experience to write The Guild of Shadows series. Also, she seems to have a small obsession with baked goods.

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Roll for perception. Sneak attacks. Curse damage…after more than a year of playing our regular Dungeons and Dragons campaign, I didn’t want it to end.

Around the table, gathered by writer and podcaster Brandon Crilly, were some of my closest friends: Jay Odjick, Derek Künsken, Evan May, Nicole Lavigne, and Tyler Goodier. All of these people are writers and creators, so the creative energy around the roleplaying table reached stratospheric levels of high.

So much so that our campaign somehow built itself in arcs, and we knew we were in the final arc. My character Tira Misu was cursed. One of our good friends, the druid Gwriad, was gone. The Spider Queen was about to be reborn (deities are often bored in D&D).

It was all coming to an end, and I started blogging about it, wanting to keep our Sunday gaming sessions going for a bit longer. 

This wasn’t because the world was so amazing (it’s basic secondary fantasy), nor the gameplay mechanics unforgettable (I love D&D and many other systems, too). It was because the characters were so well fleshed out. Because the amazing group of creatives around the table were giving them motivations, thoughts, catch phrases…forming a ragtag crew of wanna-be-heroes.

Alas, all good things must come to an end, and so did our campaign.

But the characters lived on in my head. I wanted more of their adventures, their company and insanity. I decided to base a story on them, but didn’t want to fall into the trap of “writing my campaign.”

First thing I did was look at the setting, which is so important to speculative fiction, subgenres leaning completely on magic vs tech vs both(!). Not to mention earth vs. the plants are eating people vs. kingdoms warring all the time. Also now (leather) vs. future (jumpsuits) vs. past (hoop skirts). …I’m oversimplifying, but you get the idea.

I looked at my main character, Tira Misu, and focused on her since I knew her best. I decided to import her into our world (leather!), but a different version of it. I quite literally imported her and her buddies via portals appearing all over the world, replacing babies in their cribs, a play on the old changeling stories.

So now it became urban fantasy, a comfortable departure from secondary world fantasy RPG.

Next were the arcs. Story and character arcs in D&D are flexible and at times messy, depending on character rolls and other players around the table to define characters and events. For a fiction book, which needs a strong narrative and motivations to entice the reader to flip the page, I needed to clean it up, pick a few traits of each character, and go from there.

I plotted and schemed even, and ended with a six-book arc. Some characters don’t show up until halfway through the arc. And not all will necessarily make it to the end. The central mystery pulls the characters along the whole way through, but there are side mysteries and adventures demanding their immediate attention in each book, too. So, six mini-story arcs all feeding one giant arc.

That one felt more like the game, in a way. Side quests on the way to the main reveal.

Because I already knew the characters’ emotional beats and personalities, the first book in The Guild of Shadows series, Hell Born, practically wrote itself. It kept me up. I couldn’t shake it. Same with the second book, Hell Bent, and now the third, Raising Hell (coming soon!).

Once all six books are done, I’m not sure what will happen. But I do know that we’re about to start a new arc in our campaign. Most characters are returning to the table. The players are all geared up. Characters have evolved and changed. New adventures await.

And, in their dusty, potentially bloody wake, I have a feeling that more books will follow.

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Marie Bilodeau is an Ottawa-based author and storyteller, with eight published books to her name. Her speculative fiction has won several awards and has been translated into French (Les Éditions Alire) and Chinese (SF World). Her short stories have also appeared in various anthologies.

In a past life not-so-long ago, she was Deputy Publisher for The Ed Greenwood Group (TEGG). Marie is also a storyteller and has told stories across Canada in theatres, tea shops, at festivals and under disco balls. She’s won story slams with personal stories, participated in epic tellings at the National Arts Centre, and adapted classical material.

Marie is co-host of the Archivos Podcast Network with Dave Robison, co-chair of Ottawa’s speculative fiction literary convention CAN-CON with Derek Künsken, and is a casual blogger at Black Gate Magazine.

It’s about six weeks into quarantine for me. I’ve heard a bunch of names for this period of time: “Covidcation,” “The Year without a Convention,” “The Virus Troubles,” “The Year of Self Quarantine,” “The Plague Year,” and my favorite “The Great Pause.”

It truth, while I’m doing well most of the time, I have had my moments. I am grateful that I am in quarantine with the Husband and the kitties. I am grateful that I am an introvert 90% of the time. I am grateful for my job of novel writing and anthology editing. Most of all, I am grateful for my latchkey kid upbringing. It taught me independence, self-sufficiency, and self-entertainment.

I was a latchkey kid from the time I was nine years old. In fact, from 9-11, I pretty much lived in a quarantine situation. We lived in Belgium, off-base. That meant I knew no one around my house. We rode the bus home, let ourselves in, did homework, and prepared dinner on our own until our parents came home around 6-7pm. We entertained ourselves. We played in the backyard, read, played card games, and made up stories.

 
That brings me to the wall hanging I’ve dubbed, “The Three Bears of Childhood.” We had this wall hanging in our house for as long as I can remember. My sister found it again while she was helping mom declutter. She pinged me and my brother to see if either of us wanted it. We both did. I acquiesced. A couple weeks later, I was still thinking about the wall hanging. On a whim, I searched for, and found it, on eBay.

Of course I bought it. (Though, I ordered the 37” x 54” one and got the 54” x 78” one. Luckily, the spot I wanted to hang it in—the library nook—was big enough.)

This wall hanging is one of the reasons I’m dealing so well with self-isolation. I have memories of me, my sister, and my brother staring up at it while we created stories about what the three baby bears where doing and how the mom bear was reacting to “our” antics. Because, of course, we were the three baby bears. There were three of us and three of them. (Dad worked a lot in those days. So, we always said that dad bear was out hunting for food.)

Like rereading a favorite book, I am comforted by the sense of familiarity, of “home.” The wall hanging reminds me of my childhood and more innocent times. It is a balm during this time of self-isolation. For me, it’s soothing to hold such childhood memories out for examination and remembrance.

(12 days left in the kickstarter for limited editons of my Bram Stoker nominated anthology, A Secret Guide to Fighting Elder Gods. It’s funded. Now we’re trying for interior artwork. Please help if you can.)

I need to re-outline BattleTech: Crimson Night for a fourth time--in the words of one of my SFWA mentees "to stop being precious about my writing"--and add in a fourth point of view character that will make all my problems go away. In the meantime, here's a Bubble & Squeek for you.

• Awards: A SECRET GUIDE TO FIGHTING ELDER GODS is a 2019 Bram Stoker finalist! Congratulations to everyone who got the nod. I'm so happy.

• Interview (Video): I’m interviewed by Dacre Stoker about my Bram Stoker nomination.

• Publications: “Lair of the Infernal Thief” AKA “Untitled Infernal Goose Adventure” in Mini-Dungeon Monthly #12, An adventure for two to five characters of 3rd-5th level. Yes, inspired by THAT “Untitled Goose Adventure…”

• Publications: It looks like Fantasy Flight Games did a reprint of the physical book of my Arkham Horror novella, TO FIGHT THE BLACK WIND, for those of you who were looking for it as well as the rest of them.

• Random Video: In honor of having my first lucid dream in years, probably brought about because of this video by Matt D'Avella: I learned how to lucid dream.

• Support: As always… if you appreciate my work and would like to support me, I love coffee. I am made of caffeine. This is the quickest way to brighten my day. Especially since most of my conventions have been cancelled this summer. Pretty please.

The Husband has been working at home for more than a week now and I have some thoughts. If you are a writer who…
…Suddenly works from home in your day job…
…Suddenly works from home in your day job and has a spouse who also now works from home…
…Always worked from home and suddenly has a spouse who also now works from home…
Here are some tips and tricks for you.

If you are one of the above and also have children who are home schooling or are just home… sorry, I don’t have kids, thus I don’t have practical advice on that particular front. Though, you might find some of this information helpful.

0. If possible, set up a dedicated day job work space. Something you can leave or shut down before you go to your writing spot. A physical separation is best. A laptop that can be closed and put away is good. A VPN that can be shut down is okay. Closing all work apps/notifications will suffice.

1. During the workweek, dress for work. Video conferencing is a thing. At least put on a clean shirt, wash your face, and comb your hair. It will help put you in the correct frame of mind. Speaking of video conferencing, be aware of what is behind you.

2. Try to keep to your normal schedule as close as possible.
•    Get up at your normal time. If you have a commute, use that commute time to do something else (read, listen to a podcast, take a walk).
•    Log into work at the normal time.
•    Take hourly breaks.
•    Take your lunch break. This means if you normally leave your work system, log out and leave it.
•    SET ALARMS. (Forgetting to eat and drink is common for those who are not use to working from home.)
•    When the workday is done, close your system and (at least mentally) walk away. You do not work 24/7 unless you are on call and/or this is how your normal job works. This means no checking work email outside of work hours.

3. If you have a day job, try to keep to your normal writing schedule. If you write at lunch, that’s the time to continue doing it. If it is before or after your work day, again, that is when you write. Structure, and a schedule, is your best friend.

4. If you have a spouse working from home, they should have a separate and distinct “office” area away from you. Even if it is your closet, the laundry room, or in the corner of the family room. Do this as much as physically and distantly possible. Otherwise, the urge to spin in each other’s orbits will either be very distracting or overwhelming.

5. During the workweek, when you and your partner are working, only contact them in the same way you normally contact them during the workweek: texting, slack, discord, google hangouts, etc… They are probably also having a hard time adjusting to working from home. They need to find their new normal, just like you do.

6. Headphones are your friend. One or both of you need to wear headphones so you can’t hear each other as much. Also, headphones are invaluable for video conferencing. Trust me on this.

7. Schedule movement breaks. Some people do 25 minutes of work, 5 minutes of movement. Some people do 45-50 minutes of work 10-15 minutes of movement. Working at home limits your steps in a big way.

There is no one true way for the new normal of working from home, but these are some of the ways a writer can adjust to both working the day job at home and/or figuring out how to work at home with your partner there. Good luck!

Parameters for this blog post: Pandemic level 0: Normal flu season. Pandemic level 5: Contagion movie. Pandemic level 10: The Stand by Stephen King.

I think we’re somewhere around Pandemic level 3. I say level 3 because of the following:

·         There is a cause for concern. We are no longer at containment. We are at leveling the curve for emergency care and working to mitigate the spread as much as possible. The breakdown of hospital resources (ventilators) in Italy is an example of why we need to flatten the curve.

·         There is some mild panic. It’s still thoughtful and rational. It’s “I need hand sanitizer and TP.” There is no real threat of looting. It’s not a real panic. Real panic is where you will accidently drown another person trying to find the surface of the water. It’s where you will leave behind loved ones in the face of danger because you are no longer thinking. It’s where fight or flight has taken over and where people refuse to open doors to neighbors out of fear.

·         Long asymptomatic infectious period. A person can be infected with COVID-19 for as many as 14 days without showing any symptoms while being contagious. The R0 (R-naught), the estimated number of individuals that each infected person will transmit to, for the COVID-19 is currently between 2 and 3.

·         Specific vulnerable population. In Contagion and The Stand, anyone and everyone could get the virus and all ages would get sick and die. Whereas COVID-19 is specifically lethal to elderly and autoimmune compromised populations. I’ve read a lot of data out there that say up to  40-70% of the world’s population will catch COVID-19, but only have comparatively mild symptoms. Obviously, more than just the elderly and autoimmune compromised can get sick and die.

·         There is no vaccine. Yet. We don’t try to contain the flu during flu season. That’s because we have a vaccine. COVID-19 does not yet have a vaccine. That’s one of the reasons it is so dangerous.

·         There’s a lot more data out there. This is not an exhaustive list. It’s some of the reasons for my thought process and estimate of the danger. Don't forget to do your own research.

In the Seattle area, many companies (mostly tech companies) have cancelled all non-essential travel. Also, those who can work at home have been sent home until the last week of March (at the earliest). Many of those companies have put support staff on “holiday hours” but are still paying full-time wages. Some are not, and that will lead to future problems.

As an author of dark speculative fiction, and a former military brat who lived in Europe during the Cold War, I watch this all with a wary eye. Every person of my local social writing group, Wit’n’Word, has a spouse who has been sent to work from home. Including me. This isn’t too bad. The Husband understands I need quiet and long periods of time to write. On the other hand, this entire week he has early morning conference calls with the people he was supposed to meet in Boston.

My dreams are unquiet. Example: last night, I dreamed that the Husband agreed to taken in 14 cats without asking me because two of them were singapura kittens and he knows I love them. There were also a LOT of people in the house because of the cats. By the end of the dream, I was slowly containing the cats and kicking the unwanted house guests out.

Clearly, my brain believes that the Husband is bringing a lot of chaos home and it doesn’t know how to deal with it all…yet.

I do have some anxiety. I really don’t want to live through an actual Armageddon. At least, not one this slow moving. Give me Night of the Comet any day of the week and let me have the world’s resources to survive on. You can skip the zombies, though.

Still, I have hope. Hope that the spring and summer months will become an obstacle to COVID-19 and its spread. Hope that a vaccine will be approved over the next year. Hope that I will still be able to make some of my summer convention season.

I also have common sense. Washing my hands regularly. Limiting my forays out into the world. Plans of what to do when I do go to conventions—gloves, wipes, no handshakes or hugs. The knowledge that some events may be postponed or cancelled and there’s little I can do about that.

Now, I guess we will wait and see.

2020 is the year of attempting to turn Fantasy Jenn in to Reality Jenn. That means picking up habits, traits, and/or skills that I wish I could/would do. There’s two things I decided on for Jan/Feb: remember to take apple cider vinegar every day (for leg cramps and all the other health benefits) and no eating/drinking after 8pm (stomach reasons).

How’s it going?

Honestly, not bad. The ACV thing is nasty but helpful. There was a 10 day period where I didn’t have any ACV left and I was lazy/forgetful to get more. After 10 days, my toe/leg cramps at night came back. After one particularly unpleasant evening, I ordered some on Amazon and had it the next day. No more cramps. I have no idea why it works, I just know that it does.

As for not eating or drinking (even water) after 8pm, this has made a world of difference for my acid reflux. I think one time in the last two months, I ignored this. I was particularly thirsty and drank a cup of water after 9pm…and I regretted the crap out of that. Not drinking even water isn’t fun. I like to sip my drinks. I’m debating a 7:30 alarm to remind myself and drinking a cup of water then so I don’t get thirsty later. We’ll see if I add that to my routine.

What’s next?

The next two months is going to be focused on adding in more regular exercise and moving more in general. I do play Beat Saber on a semi-regular basis. I just need to make it more consistent. Along with taking a walk at least three times a week. Either on the treadmill or around the neighborhood. Finally, my niece is studying to become a physical therapist. She mentioned to my sister that all you need to do to is stretch 30 seconds a day to get more flexible. I think I’m going to add in daily stretching with the goal of being able to: first, touch my toes; second, touch my knuckles to the floor; third, palms on the floor.

All this means I need to actually add stretching and exercise to my weekly schedule and not ignore it because I’m feeling lazy. Easier said than done. But, that’s what working on Fantasy Jenn is all about. 

Here's a picture of Isis. Just because.

I love the fact that I am often the person my friends think of first when they have something odd happen or a mystery occur. They know I make stories out of everything and appreciate it when they do the same. Thus, I present: The Case of the Mysterious Ottoman.

Friend: I have a mystery and it can only mean my life is about to become an action movie.

Me: Do tell!

Friend: Okay. So this is an ottoman. A designer one from what my googling has turned up. It arrived at my house today, addressed (correctly) to me. But I didn’t order it.

Me: Huh. If this were an action movie, the secret would be hidden inside.

Friend: A few years ago, I got a GoPro addressed to me. Turned out my card was used to buy it. So I checked all my accounts, but I didn’t find anything amiss. I do have a packing slip, again, with my name.

Me: I have heard that scammers will buy things on stolen credit cards and send things to people, then “return them” for cash or for payment on a different credit card. Have you checked your bank, your cards, and your Paypal?

Friend: Yes. This came via an import company in Florida.

Me: What about recent purchases on your Amazon account or Costco account? One of those could be compromised.

Friend: Hadn’t looked there. Just at my money places.

Me: BTW, very nice ottoman.

Friend: Is that sarcastic?

Me: No… it’s a very nice ottoman. Whoever did it has good taste. And makes me think it is a buy and return scam.

Friend: Yeah. I don’t know. Or…it’s packed with heroin or forged bonds or diamonds and someone will be by for it later.

Me: Did you check Amazon?

Friend: Yes. Not there.

Me: Right. I suppose you could ping your parents and find out if it is a gift.

Friend: Wasn’t them. Already called them. I found one website that listed a price and I don’t know anyone who would spend that much money on an unsolicited ottoman for me.

Me: How much?

Friend: $$$$.$$

Me: Damn. What does your husband think?

Friend: That it’s hideous. LOL. And that we have bullets if someone comes for it. I figure we can keep it for a couple of days in case the mystery is solved, but if you like it, you can have it if nobody claims it. We really don’t have room for it anywhere. BUT, I’m fully embracing the action movie explanation.

Me: Okay. I would like it. I’ve got the perfect place for it. But, once you give it to me, I become the protagonist…and you show the audience how good the assassin is.

Friend: Hahahaha. Anyway, I thought you’d enjoy the mystery, although I didn’t expect to find a home for the thing.

Me: I did enjoy it, and you’re welcome.

Friend: The fact that you’re so keen on getting it makes us suspicious that you’re after the diamonds.

Me: Maybe I’m just protecting you guys. Also, I’m so writing about this in a blog post.

I think the ottoman is very pretty, and it matches the curtains perfectly. I do have to cover it with a blanket or the cats will scratch it. For the record, I’ve picked the ottoman up and turned it over. I’ve discovered that the cover is velcro’d on and can be removed to be washed or changed out for a different cover. There were no diamonds. No noise when I moved it around and it is too light to have drugs. So, if there’s something hidden in it, it will stay hidden. 

But if me and the Husband disappear…look to the ottoman.

Awards: Woot! A Secret Guide to Fighting Elder Gods has been long-listed for the Bram Stoker award in superior achievement in an anthology.

Blog: A Decade in Review. How does one review a decade of growth, change, expansion, and experience in a single career? Start with the stats and end with the lessons learned.

Podcast: Dire Multiverse, part 5 – A Wild, Hopping Tale. Answers and alliances come at the point of a gun as our heroes try to make it out with their lives intact while learning more about what’s driving Dana Lessington — and one of their own. 

Publication: SEASONS, the latest Valdemar anthology, has my 7th Valdemar story in it, “One Town at a Time.” It's the opening story. I love having anchor stories in anthologies.

Support: As always… if you appreciate my work and would like to support me, I love coffee. I am made of caffeine. This is the quickest way to brighten my day.

Spike in snow.

I found a digital set of journal entries from 1990. It was my first real attempt at journaling. It was also before I understood what the internet was and that things written in digital form are forever unless you make a specific effort to get rid of them. I read the journal entries, had a good laugh and a small cringe, then I deleted them. No one needs to have access to private journal entries from 30 years ago when I was thrashing about in my college years.

Talk about hindsight being 2020…(and every other 2020 joke out there).

I’ve already rounded up 2019…and logged my accomplishments from the last decade of 2010-2019. I guess the only thing left is to talk about my plans for 2020. Hard numbers:

• Write: 1 BattleTech novel, 1 SF novella, 5 short stories, [other projects in the works].
• Edit: 2 BattleTech novels, 1 anthology, 1 Shadowrun novella, all contracted short stories, [other projects in the works].
• Publications: 2 BattleTech novels, 1 anthology, 1 Shadowrun novella, [other projects in the works].
• Travel: 6 conventions (speaking at 5, dealers table at 4).
• Podcasts: Continue to be voice talent on the Dire Multiverse.

Life is more than the publishing business. Fantasy Jenn is waiting in the wings to get things done, too, including…

• Read 5 nights a week.
• Learn to pick locks. (This one is mostly for Apocalypse Girl.)
• Get better at Beat Saber. (IE: shift from easy to normal mode on all songs)
• Declutter sentimental things.

Fantasy Jenn is an interesting concept for me to play around with. Fantasy You is the person you buy hobbies for but never get invested in. Fantasy You is the person who is going to scale mountains, and foster kittens, but you never find the time. The same person who is always going to lose 10 lbs. and start eating healthy, but can never get in the habit.

Last year, I decided to start feeding Fantasy Jenn in a deliberate fashion. I actually started this accidentally in late 2018 when I changed my diet to feel better. I’m happy to say that I’m still 25 lbs. down despite the trauma of last year. I also decided it was time to declutter. I decluttered twice last year and the household is better for it.

This year, I’ve decided that I’m going to pick one thing that Fantasy Jenn wants and work at it for a month. If I don’t find joy or skill or use in it, I’m going to stop, put it down, and say good-bye to that fantasy. When I say good-bye to that fantasy, I’m going to say hello to the next dream that Fantasy Jenn has and work on it. I think that’s going to be the key in 2020. Work on one fantasy at a time.

I don’t have new year’s resolutions. I have yearly goals and I tend to stick to them. I suppose it’s because it keeps me feeling like a successful and productive person.

What about you? What fantasies will you work on this year?

How does one review a decade of growth, change, expansion, and experience in a single career? Much less in an industry like the publishing industry? I suppose by starting with some of the stats from 2010 – 2019. Note, this is an imperfect list of stats. It doesn’t mention the number of words written, the stories submitted then rejected, the novels written and trunked, the journals, articles, and blog posts. But, really, you’ve got to start somewhere. That is what I’ve done.

• Short stories published: 65
• Fiction collections published: 4
• Novellas published: 5
• Novels published: 11
• Omnibuses published: 2
• Podcasts produced and published: 2
• Comic books published: 1
• Anthologies edited: 16
• RPG books contributed to: 7
• RPG books written/co-written: 6
• Award nominations: 18 (including 2 Bram Stoker awards and a Hugo award)
• Awards won: 7 (including an AU Shadows award, an ENnie award, an Origins award, and a Scribe award)

Gotta admit, I’m proud of what I’ve accomplished. In 2010, if you’d told me that one day I’d be an internationally published author and editor who’d been nominated for both the Bram Stoker and the Hugo award, I would’ve laughed at you and said it was a nice idea. I thought those things were so far out of my reach that I couldn’t imagine it. If you’d told me that I’d get to write for some of my favorite non-RPG properties like VWars, Valdemar, and Predator, I would’ve wondered what you’d been drinking. Stuff like that didn’t happen to me.

Then again, I didn’t know I was going to start my own publishing house.
…Or serve a term as a Director-at-Large of SFWA.
…Or volunteer for the HWA.
…Or be a Guest of Honor at ten different conventions, including conventions in Sweden and Finland.
…Or get an agent after I’d given up the search.

In truth, this is no real way to quantify a decade of my career in a meaningful manner that gives the scope of “everything.” I’ve always been ambitious when it comes to my career. I’ve got plans for the next decade. I’m sure they’ll change. But, that’s all right.

I’ll leave you with some lessons I’ve learned along the way.

• Share the love. Publishing is not a zero sum game. No one has to lose for you to win. Eventually we will work together on a project.
• Default to being kind. Publishing is a small industry.
• Write what you love and what you want to read. My greatest success has come from settling in to write exactly what I want to write and to love what I do.
• Figure out what kind of writing career you want. Casual? Part-time? Full-time? Just hang out with other writers? It’s all good. The sooner you realize what you actually want, the better it will be for you.
• You are allowed to change your mind and to change direction. Shift gears on the type of story telling you do. Flash? Podcasts? Epic novel series? One-off books? Tie-in work?
• You are allowed to stop. To quit. To take a break. To rest.
• You are allowed to start again. No one is going to take away your writing card.
• There is no one path to a successful writing career. YOU determine what makes you a success. Self-pub? Big 5? Hybrid? It’s all fair game. This is one of the most exciting times in the publishing arena. Nothing is off-limits.

Of course, the last decade wouldn’t have been as successful as it’s been without the Husband’s support. He helped make it all possible. For that, I am ever-grateful.