The Science Fiction and Fantasy Writers of America (SFWA) has partnered once again with Worldbuilders, an organization of geeks doing good that supports humanitarian efforts worldwide, to run their annual silent auction. This auction runs from May 9, 12noon, Pacific until May 16, 12noon, Pacific.
Three items from me up for bid:
A 30-minute one-on-one virtual career session via Zoom with Jennifer Brozek, an award winning author, editor, and tie-in writer. Tell me where you want to go with your career and I'll do my best to guide you.
Four seats in a one-hour virtual author kaffeeklatsch via Zoom with Jennifer Brozek, an award winning author, editor, and tie-in writer. Come talk about anything gaming or publishing related. On request, I will go get all my cats to show you.
Seat 1: https://www.biddingforgood.com/auction/item/item.action?id=342557553
Seat 2: https://www.biddingforgood.com/auction/item/item.action?id=342557555
Seat 3: https://www.biddingforgood.com/auction/item/item.action?id=342557556
Seat 4: https://www.biddingforgood.com/auction/item/item.action?id=342557557
Jennifer Brozek will do a tuckerization for the winning bidder (or as a gift from the winning bidder to someone else). Tuckerization will be in a new Shadowrun YA novella and possibly used in a later Shadowrun novel.
Please support this worthy cause.
How does one review a decade of growth, change, expansion, and experience in a single career? Much less in an industry like the publishing industry? I suppose by starting with some of the stats from 2010 – 2019. Note, this is an imperfect list of stats. It doesn’t mention the number of words written, the stories submitted then rejected, the novels written and trunked, the journals, articles, and blog posts. But, really, you’ve got to start somewhere. That is what I’ve done.
- Short stories published: 65
- Fiction collections published: 4
- Novellas published: 5
- Novels published: 11
- Omnibuses published: 2
- Podcasts produced and published: 2
- Comic books published: 1
- Anthologies edited: 16
- RPG books contributed to: 7
- RPG books written/co-written: 6
- Award nominations: 18 (including 2 Bram Stoker awards and a Hugo award)
- Awards won: 7 (including an AU Shadows award, an ENnie award, an Origins award, and a Scribe award)
Gotta admit, I’m proud of what I’ve accomplished. In 2010, if you’d told me that one day I’d be an internationally published author and editor who’d been nominated for both the Bram Stoker and the Hugo award, I would’ve laughed at you and said it was a nice idea. I thought those things were so far out of my reach that I couldn’t imagine it. If you’d told me that I’d get to write for some of my favorite non-RPG properties like VWars, Valdemar, and Predator, I would’ve wondered what you’d been drinking. Stuff like that didn’t happen to me.
Then again, I didn’t know I was going to start my own publishing house.
…Or serve a term as a Director-at-Large of SFWA.
…Or volunteer for the HWA.
…Or be a Guest of Honor at ten different conventions, including conventions in Sweden and Finland.
…Or get an agent after I’d given up the search.
In truth, this is no real way to quantify a decade of my career in a meaningful manner that gives the scope of “everything.” I’ve always been ambitious when it comes to my career. I’ve got plans for the next decade. I’m sure they’ll change. But, that’s all right.
I’ll leave you with some lessons I’ve learned along the way.
- Share the love. Publishing is not a zero sum game. No one has to lose for you to win. Eventually we will work together on a project.
- Default to being kind. Publishing is a small industry.
- Write what you love and what you want to read. My greatest success has come from settling in to write exactly what I want to write and to love what I do.
- Figure out what kind of writing career you want. Casual? Part-time? Full-time? Just hang out with other writers? It’s all good. The sooner you realize what you actually want, the better it will be for you.
- You are allowed to change your mind and to change direction. Shift gears on the type of story telling you do. Flash? Podcasts? Epic novel series? One-off books? Tie-in work?
- You are allowed to stop. To quit. To take a break. To rest.
- You are allowed to start again. No one is going to take away your writing card.
- There is no one path to a successful writing career. YOU determine what makes you a success. Self-pub? Big 5? Hybrid? It’s all fair game. This is one of the most exciting times in the publishing arena. Nothing is off-limits.
Of course, the last decade wouldn’t have been as successful as it’s been without the Husband’s support. He helped make it all possible. For that, I am ever-grateful.
As “Declutter Monday” is currently “Project Monday” and I don’t think “crocheted 1/3 of a baby blanket today” is all that interesting, I thought I’d talk about something I’ve noticed recently.
I’m part of the SFWA mentoring program. This is a program where SFWA pairs a mentor with a mentee based on a questionnaire from both sides. The official mentoring relationship lasts for six months. You “meet” and have contact every other week. From my point of view, the program matched me up with a very good mentee.
Through my work with them, I’ve discovered something: sometimes I need to hear exactly what I’m telling my mentee. I have to admit, this can be annoying. I’m not the one being mentored. I’m not the one who needs to learn the lessons I’m teaching. I’m the experienced knowledgeable one in this conversation. Right?
Well, yes and no. Some lessons are easy and I just need to be reminded of them. Some lessons are hard and I need to have them beaten into me again and again.
“This is a marathon, not a sprint.”
IE: steady and consistent writing, editing, PR, etc… will go a long way. Of course, I did have a very bad Nov 2018. I wrote a total of 762 words of fiction that month. I had a hard time putting words down. I was burnt out. Over all, I wasn’t worried. I got my work done, but it took longer than I wanted. The reminder helped.
“Take this time to just enjoy the convention. Give yourself permission to be a real person. Don’t go into it with an agenda.”
This lesson is harder to learn. Or re-learn as the case may be. This was something I told my mentee. Three days later, I was talking with the Husband about possibly cancelling a convention if I didn’t get in as a dealer. He asked me why and pointed out that he’d like to go to a convention with me where he wasn’t stuck behind a dealer’s table. For me, conventions are business. I’m working. When I told him I didn’t know how to do conventions without a dealer’s table anymore, he told me that I knew how to once and I should remember. Suddenly, I was on the other end of the lesson for a very different reason.
“You are allowed to consider quitting. You are allowed to quit. You are allowed to start again. No one is going to take away your writing card if you take a break.”
I once told my mentee that every writer considers giving it up. If they say they haven’t, either they’re lying or they’re too new to know better. I don’t know if it is true 100% of the time, but every author I’ve ever talked to about this has admitted they’ve thought about giving up the publishing game. Not necessarily giving up writing, just the professional publishing part of it.
Writers are an interesting lot. By the nature of the work, we’re used to rejection, of not writing the story the editor is looking for, of not being talented/experienced enough to write a certain story. It’s good to remember that writing is one of those skills that gets better as you use it, experiment with it, and absorb it through reading.
Back in December—while I was writing a contracted novella and waiting on publisher edits for the first novel of a contracted trilogy—I received a rejection from a publishing house I really, really want to get into. For a full day, I moped: “I suck. I’m a hack. No one likes my writing. I should give it up and just stick to editing. I’m good at that.”
The next day, after I finished my writing for the day, I pulled myself up by my bootstraps, looked at the emails and the novel feedback again, and decided everything would be all right in a bit. This particular novel didn’t move the acquisitions editor, but I did get a clue as to what kind of novels did. Fortunately, one of my series-in-waiting is exactly that sort of series. So, when I get around to writing that (after the contracted stuff), I know who to send it to.
Writing is not an easy job. Sometimes you need a break. If you take it, nothing says you can’t start up again. That’s the beauty of the industry. Especially in this day and age.
Relearning these lessons is why I applied to be a mentor in the first place.
I knew this would happen. You learn while you teach. You learn what you don’t know. You learn what your mentee knows. Your shared experience builds on your foundations. Every acceptance, rejection, edit, and revision request builds, and rebuilds, the writing toolbox. You expand and grow. Every publishing conversation—professional or casual—imparts knowledge to all sides of the conversation.
I like to share my knowledge and experiences to make things easier for the ones who come after me. That way, they can make their own new mistakes…then pass that experience on to those they mentor as the cycle continues.
Last night, I went to the SFWA Reading to see my friends Josh Vogt, Greg Bear, and Tod McCoy read. I realized something: I’d missed my SFWA community. These are people I only see at conventions and SFWA events. I’d been so busy with my own stuff lately, and needed some distance from the organization after I stepped down as a Director-At-Large, that I’d pulled away too much. That was the wrong approach, but I suppose it was one I needed at the time.
It’s hard to express just how good it feels to be in a room full of like-minded people who all understand why losing one of the greats like Ursula K. Le Guin is such a tragedy or why naming Peter S. Beagle as SFWA’s newest Grand Master is such a joy. So many of the people I met up with last night are at various points in their writing careers. It was like looking at my past, present, and future writing self. They all understood the language of the writing professional and the publishing industry. It felt like coming home. It felt like family.
Recently, SFWA has had to deal with some tough issues. All of them center around protecting its membership at large. I know, intimately, what they’ve been going through—all the time spent, the discussions had, the decisions made—and I’m proud of the Board. I think, with the evidence they had on hand, they did the only thing they could do to protect the SFWA organization and the community they’ve built.
I came away from the SFWA Reading rejuvenated, with an armful of Greg Bear's short fiction, inspired to attempt science fiction poetry again, and the sense that SFWA is still in the right hands, doing what it needs to do to meet the needs of its membership. I also came home with the desire to write more, to mentor more, and to continue to be part of the SFWA community.
I'm so glad I went.
I've finished MAKEDA RED. I've edited 3 novels and I'm on a novella. I'm starting to prep for WorldCon and Tracon—both of my schedules require research. Life is slowing down. It is. But this is the calm before the storm.
Article: On the Semiotic Standard: The Collective: Bringing Books to Film. I didn't cheat and say Melissa Allen. I talked about my true love... THE DARK TOWER.
Awesome: The daughter of a friend has just cosplayed one of my characters: Melissa Allen. Achievement unlocked!
Review: Nice review for the World of Shadows anthology from Forgotten Tomes.
In the SFWA section...
SFWA Chat Hour about game writers... wherein we talk about the background behind the decision to admit gamer writers.
Science Fiction & Fantasy Writers of America to Admit Game Writers. The actual guidelines.
Follow-up SFWA Admits Gamewriters, All Heck Breaks Loose, Film at 11.
No, the guidelines aren't perfect. Yes, we are looking at specific cases. Yes, it will take time. We will not be making a knee-jerk reaction to everything.
I’ve already written about what I did in 2015. Now I’m looking forward to what I need to do for 2016. The short version: A whole lot of contracted tie-in fiction, some editing, and a bunch of travel.
Contracts signed: 1 board game mythology/background, 1 reprint RPG fiction collection, and 1 tie-in novel.
Forthcoming contracts: 1 serialized YA tie-in novel, 1 anthology as editor, and 2 tie-in short stories. (As in, discussion is done, I’ve agreed to do it, and we’re just waiting on paperwork.)
Planned contracts: 1 tie-in novella. (Proposal requested. Writing is probably slated for early 2017 if all parties agree.)
Planned editing: 2 novels, 2 omnibuses, 3 novellas, 1 monthly fiction feature, and 1 anthology. (For Apocalypse Ink Productions and Evil Girlfriend Media.)
Events planned: 8 conventions (3 as GoH), 1 workshop, 2 readings, 1 wedding in Iceland.
The writing metrics for 2016 are daunting. It’s about 200,000 words of contract tie-in fiction. This doesn’t count any of the editing for that work or research or one-off anthologies or one-off articles. Or any blog posts. Or any of the 10,000 other things a freelance author-editor does.
What this means is that I’m going to have to buckle down and change my personal working schedule. I’m probably going to have to institute a “no internet before noon” policy to focus on my writing. Leave all the email and such to the afternoon once my word count for the day is done. It is too easy to fritter away my time online, answering emails, reading articles, and watching videos.
- Jan 8-10, 2016, OrcaCon, special guest
- Jan 26, Reading at University Bookstore
- Feb 5: Foolscap, Workshop leader
- Feb 12-14, 2016, RadCon, Writer GoH
- Mar 23-27, Norwescon, dealer/panelist
- May 12-15, StokerCon, Panelist
- Jun 15-20, Origins Game Fair, dealer/panelist
- Aug 17-21, Worldcon/MidAmericon, ??
- Sep 4-6, Tracon XI in Tampere, Finland, GoH
- Nov 4-6, We Are All SF Con, Ocean Shores, Lead Writer GoH
When it comes to year in review posts, there’s two ways for me to look at it: What did I do? Did I enjoy myself? The short version answer to these two questions is: A lot. Yes.
Being a full-time freelancer, I need personal metrics that keep me going. To let me know I didn’t just spin my wheels. To know that I have done good. I can’t rely on money to tell me whether or not I’ve been productive. The publishing industry is so weird about money and timing. It’s feast or famine… mostly famine. Even if you’re working all the time.
So, to answer the second question first. Did I enjoy myself? On the whole, yes. I’m happier that I’ve ever been. Yes, there were hard times. Yes, I really do understand “leveling up to a better (harder) class of problem” thing. And yes, not everything was a success. But, by and large, I had the best time.
As for the first question of: What did I do? I keep a daily summary log. I need to. I must schedule myself and I must know what I’ve done and when I did it. Thus, I can quantify my freelance year like so:
- Writing: I wrote 110,000 words of new fiction. This does not count any blog posts or articles written.
- Editing: I edited 10 novels, 4 novellas, 1 anthology, and 90 EGM.Shorts flash fiction pieces.
- Submissions: I had 5 of 9 short stories accepted. Not bad. Just didn’t have a lot of time to submit short fiction around.
- Published: 4 novels, 1 novella, 1 fiction collection, 1 anthology, and 5 short stories. That is a lot. A whole lot.
- Email: Answered email 320 days out of the year. This is much worse than last year. I answered email 268 days in 2014. I had hoped to do less email. I failed.
- New Positions: Managing Editor of Evil Girlfriend Media and voted in as a SFWA Director-at-Large. I am still the Creative Director of Apocalypse Ink Productions.
- Awards: I had 4 nominations (Scribe x2, an ENnie, and a Hugo). 1 win (Scribe for best YA tie-in novel for The Nellus Academy Incident).
- Reading: I read 41 novels (mostly for pleasure). Not bad, given my schedule.
- Vacation: Took 23 days off to do nothing. This is better than I did last year. This averages 2 days off a month. Though, most of these came in the last third of the year.
Honestly, reading this list makes me both proud and tired. I already know I will be doing a lot less of some and a lot more of another in 2016 but that’s for another post in a week, next year.
Q: Now that the Hugos are over, how do you feel?
A: I feel fine.
A: Yes, really. Yes, of course I’m sad I didn’t win—it was a beautiful award and I worked really hard. I wanted to win, but as I said on twitter, I’m happy people voted the way they felt they needed to. There are other nominations and other Hugos. All voices need to be heard. I don’t want to dwell on anything else. It’s done for me.
Q: What about the numbers?
A: The numbers came out exactly as I thought they would. Without “No Award,” Mike Resnick would’ve won.
Q: What about the nomination numbers, discounting the slates?
A: I saw that I probably would’ve been 6th or 7th nomination place in Best Editor, Short Form. Respectable. More importantly, I saw that CHICKS DIG GAMING got 92 nomination votes in the Best Related Work category—second only to Jo Walton’s WHAT MAKES THIS BOOK SO GREAT. Which meant, incidentally, I lost a second time on Hugo night. I lost an Alfie to Jo. Still, that means I probably would’ve been nominated for a Hugo whether there was a slate or not. So, I’m feeling pretty good about things.
A: Go ask GRRM. It was a kind gesture.
Q: Hey, in and around the Hugo stuff, I saw that you’ve become the Managing Editor of Evil Girlfriend Media. What happened to Apocalypse Ink Productions?
A: It’s still there. I’m still the Creative Director of AIP. I’ve just added the job of Managing Editor of EGM to my roster.
Q: Can you do both?
A: Yes. I'm talented that way.
Q: So, what are you going to do now that the Hugo stuff is over?
A: Keep on keeping on. I’ve got my YA SF-Thriller series coming out in October, starting with NEVER LET ME SLEEP. I’m editing NAUGHTY OR NICE: A HOLIDAY ANTHOLOGY for EGM. I’ve signed a contract for something very, very cool that will be announced soon. I’m working on the outline of my next tie-in novel. I’m a busy-busy freelancer. There are some great things to come.
Q: Did you bring home anything cool from the con?
A: I did! Cat Rambo gave me a SFWA 50th anniversary coin. Howard Taylor gave me a couple of “Not my circus. Not my monkeys.” coins. I bought a print by Rob Carlos, the newest Ken Scholes fiction collection, and Apparitions, a book of translated Japanese ghost stories. Also, of course, my little Hugo rocket pin—I earned that sucker.
Q: Are you sure you’re okay?
A: Yes. I promise. I'm okay. I appreciate everyone’s care and concern. I get the warm fuzzies when people tell me how much me and my work meets to them. Yes, I lost three awards this year but I won one and that’s awesome.
Q: Anything else you want to say?
A: Yes. Thank you to everyone for your support. I want to give a special shout out to Howard and Sandra Taylor, Kelly Swails, Jonnalyhn Wolfcat, Minerva Zimmerman, Sarah Hendrix, and Seanan McGuire who were heroes behind the scenes, super kind, and helped keep me relatively sane.
It's been an amazing couple of weeks. Really amazing.
Awards: I've been nominated for two different Scribe Awards. One for best tie-in short story. One for best tie-in YA novel.
Conventions: I've been named one of Gen Con's Industry Insider Featured Presenters. I'm really excited about this.
Election: I've been voted in as one of the new Directors-at-Large for SFWA along with Matthew Johnson. I will take office on July 1, 2015.
Interview: I've been interviewed by Katie Teller, focusing on my Dark Quest Books anthologies.
Review: Thomas Gondolfi of Scifimonkeys.com reviewed CALLER UNKNOWN and gave it an "Unexpected A-". He had some interesting points to make.