I met Josh at Origins in 2015. We had the pleasure of both being up for the same award. We decided that made us nemeses. In truth, we’re both pretty bad at being each other’s nemesis because Josh is one of the genuinely nicest authors out there. I loved ENTER THE JANITOR so much that I insisted that he let me blurb MAIDS OF WRATH (so I could read it early). I wasn’t disappointed. Writing and editing are Josh’s reasons for being… and this is his explanation why.
A Lifelong Cure for Boredom
I hate being bored. When I was a kid, the times I got bored were the times I invariably got in trouble, whether because of trying to mix up explosives from a chemistry kit or finding ways to booby-trap my sisters’ bedroom (look, I didn’t understand the concept of ‘plausible deniability’ back then, okay?).
Books quickly became mainstays of my attempts to ward off boredom, and remained a central part of my free time as I grew up. I could find endless adventure in the stories they held. I could be transported to whole new worlds, meet impossible people and creatures, and always wonder what might come next. Whenever the threat of boredom loomed, I now had an escape nearby, if not already in hand.
In my early college years, I knew that whatever career path I took, it needed to be something that would constantly challenge me. Something that would provide ongoing variety and force me to keep growing and learning and expanding my experiences. If I got stuck in a rut with a job, it just wouldn’t last. I looked at lots of possible paths—everything from art to politics to stage magic to psychology. Nothing stuck.
Then, one afternoon, I was reading a fantasy novel when a thought came to me: “I could’ve written this! In fact, I could’ve probably done a better job, too.”
And then a little voice spoke up in the back of my head, saying, “Prove it.”
In that moment, a goal crystallized for me. I would be an author. A career author, at that, who would spend the rest of his life crafting stories like the ones I’d grown up loving and, in many ways, living through. At the same time, I realized that in pursuing this dream, I could tap into something I didn’t realize actually existed until right then—a lifelong cure for boredom.
See, being a writer—and now a published author as well as an editor—gives me a chance to experience endless variety. There’s really no end to what I can learn and experience and turn into a story, unless I choose for there to be (and that’s not going to happen in any foreseeable future).
I can write in different genres, like fantasy, science fiction, horror, cyberpunk, urban fantasy, pulp, and more. I can write in different voices, whether I’m evoking the unfathomable horror of the Cthulhu Mythos or indulging my love of humor with novels like Enter the Janitor and The Maids of Wrath. I can write different story lengths, from flash fiction (1,000 words or less) to doorstopper epic fantasy novels. I can write in different industries, whether I’m a freelance copywriter producing blog content and sale letters or writing roleplaying game tie-ins like Pathfinder Tales: Forge of Ashes.
In all this, not only am I giving myself a reason to endlessly pursue the new with every story I write, I like to think I’m giving other readers the chance to experience the same joy of discovery and adventure that thrills me to this day. For me, there’s always going to be another story to tell.
And I wouldn’t have it any other way.
Author and editor Josh Vogt’s work covers fantasy, science fiction, horror, humor, pulp, and more. His debut fantasy novel is Pathfinder Tales: Forge of Ashes, published alongside his urban fantasy series, The Cleaners, with Enter the Janitor and The Maids of Wrath. He’s an editor at Paizo, a Scribe Award finalist, and a member of both SFWA and the International Association of Media Tie-In Writers. Find him at JRVogt.com or on Twitter @JRVogt