I've just typed "The End" on NEVER LET ME LEAVE at 51,000 words. But the book is nowhere near complete. When the novel hits "The End" for me, it isn't done. The bare bones have been laid. I have the shape of the story down and in my head.

But, I have a ton of notes that I've written myself that will add probably another 5K to the book. THEN there's the polish and descriptor adds so that I don't have talking heads in a white room. Here's some of the notes I left myself for NEVER LET ME LEAVE.

NOTE: Change floor to Level. Change “taser” to stun gun and describe.
NOTE: Figure actual, specific timeline for the book.
NOTE: Figure out when Carrie got the sedative.
NOTE: Mention the purse a couple more times.
NOTE: Figure out where stun guns and guns are for each chapter.
NOTE: Figured out where access cards are.
NOTE: Stairwells are black dark when red. Hard to get through. (find flashlights)
NOTE: Signs of eating and drinking.

While I'm adding these things I already know I need, I will mark certain spots to strengthen. Or that need a bit more an expert's advice. For example, I know just enough about computer programming to be dangerous. I broke software for a living before I became a writer. I need someone like The Husband to help make the technobabble not only plausible but real. Or get my friend, Joe, to help me with some of the stun gun details.This will add another 2000-3000 words.

After that, the manuscript is put away until January. January 1, I open the file and I start from the top, polishing, adding, fixing, editing. By the time that is done, I will feel like I almost have a real novel in front of me.

Ever wonder what a freelance author/editor does? Each month of 2014, I’m going to list my daily notes on what I do. As I always say, being your own boss means you choose with 70 hours of the week you work. None of this talks about the random pub IMs, time doing research, time reading books for blurbs, introductions, and reviews, or short author questions. It doesn’t cover my pays-the-bills work either. This is just publishing industry stuff. “Answered pub industry email” can be anything from a request for an interview, to contract queries, to reading anthology invites, to answering questions about dates… and the list goes on.

I am gearing up to participate in NaNoWriMo again, officially, this year. I don’t participate every year. My thoughts on it have changed. When I first started, back in…uh…2006?

[I know I participated in 2007. I wrote THE LITTLE FINANCE BOOK THAT COULD back then. But I think I did Regresser’s Evolution in 2006. There’s a novel that will never see the light of day. But, I digress…]

When I first started, I looked at NaNo as motivation to finally finish a novel in a concrete amount of time. Now, I look at NaNo as a conveniently placed “get shit done before the end of the year” motivator. Thus, I don’t always traditionally participate. One year, it was “finish all of the contracted short stories” NaNo. Another, it was “finish this damn RPG sourcebook” NaNo.

However, when the stars align, and I have a new novel to write, and it is scheduled for the fall, I try to schedule it for NaNoWriMo. This year, everything has fallen into place and it’s time for me to write the next Melissa Allen book, NEVER LET ME LEAVE. The first Melissa Allen book, NEVER LET ME SLEEP, was written during the 2011 NaNo in 13 days. That will not happen here. Mostly because it is a bigger book with more principle characters.

Now. Some people love NaNo. Some people hate it. I use it as a tool. It is an artificial deadline and it gets me working to deadline speeds. Most of the time, I look at my NaNo draft as a 50,000+ word outline and my next draft is the real book. This is my recommendation to everyone. Your NaNo book is your detailed outline. Nothing more.

I know I will do well because this is what I do the rest of the year. Only, I need to make my words publishable words. So far, this year, I’ve written about 145,850 new words of fiction. Never mind the emails, contracts, editing, etc… I’ve done. That’s just under an average of 15,000 new words to be published every month of the year. Or 3650 new fiction words a week. Or an average of 521 new fiction words every single day of the year.

Obviously, I don’t write every single day of the year. To date, my least amount of words written in one day (when I wrote) was: 11 (Jan 14). The most: 4512 (Feb 21, Rainforest Writing Retreat).  The point is this: I wrote steadily and consistently to an average weekly word count. If I wasn’t writing, I editing but thinking about writing.

It’s nice to be part of the yearly writing mob scene because people who don’t really understand what it is like to write every day get a taste of it. Some people love it. Some people don’t. I’m going to enjoy my NaNo time and the fact that people, for at least a little while, understand what it is to be consumed by story writing.

I’m GaanEden on NaNoWriMo. Feel free to become my writing buddy.

Ever wonder what a freelance author/editor does? Each month of 2014, I’m going to list my daily notes on what I do. As I always say, being your own boss means you choose with 70 hours of the week you work. None of this talks about the random pub IMs, time doing research, time reading books for blurbs, introductions, and reviews, or short author questions. It doesn’t cover my pays-the-bills work either. This is just publishing industry stuff. “Answered pub industry email” can be anything from a request for an interview, to contract queries, to reading anthology invites, to answering questions about dates… and the list goes on.

I'm back from Context 27 and it was a great time. Steven Saus and Lucy Snyder did an excellent job of Programming and Workshops. My audiences were engaged, inquisitive, and eager to learn. That's ideal for workshops. I'm so pleased that many of my students thanked me after my workshops and panels were done.

Betsy Mitchell was wonderful to talk to and Jonathan Maberry was a joy to meet. He really is that awesome. I finally got to go to an Apex party and taste Jason's "red stuff" and "purple stuff." The Apex parties legend for a reason. Geoffrey Girard was part of it with his Cain's Blood (too tasty for safety for me).

Context 27 really was a good conference. If you are looking for an intimate, informative writing convention, Context is a good choice.

And now for the great, big shock...

I spent a lot of time talking with the convention attendees. One guy, RR, dropped this little factoid on me. He has 6 completed genre novels but he is afraid to send them out because, according to his writing professors at Purdue... “If your first novel is not the 'great American novel' you will never have a writing career.”

WTF?!

When I was told this, and it was confirmed by another student from Purdue, I was aghast and outraged. Every single publishing professional I told about this was just as shocked and angry as I was.  “If your first novel isn't a Great American Novel, you will never have a writing career.”? This is so wrong as to be farce. At best, it is pure ignorance. At worst, it is pure maliciousness. Either way, it sounds like the Purdue English department (or some of its professors) are so out of date and out of touch with the publishing industry as to be a detriment to its student body and need a refresher course themselves.

This is one of the most exciting times in the history of publishing. There are so many avenues to take, so many opportunities to be a success as a writer. Your first novel tank? Try again. Use a pseudonym if you need to. Investigate traditional press, small press, self publishing, crowd funding, and anything else that comes up. (Except for vanity presses. Those guys are scammers.)

Good gracious, things are changing so fast and there are so many ways to get your words out there. Don't say a writer will never succeed if they don't succeed with their first novel. That’s just dumb.

You have to get your novels out there. It's the only way to learn and grow as an author. You have to fail, to only partially or fully succeed, to go through the submission process, dealing with contracts, dealing with revision and rewrites, to work to a publishing house schedule. You have to get out there and learn by doing. It is this process that makes you a better writer and a professional. Until you do, you can't understand what is expected.

And another thing, Purdue...

While talking to RR and the other student, I noticed something. Anytime they spoke about themselves or their writing, their shoulders hunched in anticipation of pain. Both of them marveled at just how much the publishing industry professionals, and the other convention members, were positive, helpful, and supportive. How much they worked to help each other to advise, or direct each other to needed resources.

Apparently, at Purdue, the writing students are mentally and emotionally beaten about the head and shoulders and told how much the publishing industry is all about competition. When the idea of being supportive and collaborative is foreign, there is something wrong.

Almost every successful writer got advice as they emerged. They learned, grew, and were support as a writer by other writers. Mentorship is not an extinct concept. Don't teach that it is. One author does not need to fail in order for another to succeed. Publishing does not work like that. And no, it's not all roses and sunshine. For that point of view, read Chuck Wendig's Tough Talk post. But still. Your students shouldn't walk around wincing like a veteran with PTSD.

The Writer's Edition

Article: What does it take to write a book? The five qualities published authors share.

Article: How to Fall In Love With Writing Again. Dealing with burn out and the blahs.

Article: 21 Harsh But Eye-Opening Writing Tips From Great Authors. These weren't that harsh to me. More common sense.

Article: Writers, Should You Quit Your Day Job? Short answer: probably not.

Article: How to Write Descriptive Passages Without Boring the Reader or Yourself. All about touching the senses.

Kickstarter: Girls on Games: A Look at the Fairer Side of the Industry. It's already funded and I'm writing a chapter on tie-in fiction.

Ever wonder what a freelance author/editor does? Each month of 2014, I’m going to list my daily notes on what I do. As I always say, being your own boss means you choose with 70 hours of the week you work. None of this talks about the random pub IMs, time doing research, time reading books for blurbs, introductions, and reviews, or short author questions. It doesn’t cover my pays-the-bills work either. This is just publishing industry stuff. “Answered pub industry email” can be anything from a request for an interview, to contract queries, to reading anthology invites, to answering questions about dates… and the list goes on.

I just got back from Gen Con. As usual, it was the busiest four days of the year – panels, signings, manning the booth. I got to see old friends and new. I sold a thing. I got offered a gig which I will do. I got to talk to a bunch of fans. I shared my experience and knowledge with those who asked. It was a convention.

We got to have three of AIP’s six authors at the table at one point. Four if you count me. Dylan, Ivan, and new author Wendy. She’s a sweetheart and smart! I’m so happy we’ll be publishing her next year.

I had to take the week of Gen Con off writing for two reasons: 1. Con. That’s a given. Unless under deadline, I shouldn’t do a lot of writing at a convention because I’m so tired by the end of the day. 2. I did something very bad to my shoulder and needed to rest it. It seems to be better now. But no clicky games for the foreseeable future.

Not being allowed to write always makes me want to write more. I love conventions but I’m never happier to get home, back to my routine and to write. I’m almost half-way through Chimera Incarnate and Never Let Me Leave is fully outlined. I’m giving Peter M. Ball’s Flotsam #2 a read through and then it’s onto Dylan’s Sheynan #2 for a full edit.

It’s a busy schedule but I’m looking forward to it.

My life is boring from the outside. All I can talk about is what I've edited or written. I'm in a groove of work and not much more right now. A number of projects are falling in my lap all at once.

I just finished the final edits of my Shadowrun novella, Doc Wagon 19. It's been officially accepted and all that. I also just turned in Never Let Me Sleep (Permuted Press), the first book of the Melissa Allen series, my YA SF-thriller where I kill a whole state in the first chapter. Today, I'm working on the page proofs of Shattered Shields and I know page proofs for Chicks Dig Gaming are on their way.

Now, I'm shifting to writing-writing-writing. I'm working on Chimera incarnate (Apocalypse Ink Productions), the final book in the Karen Wilson Chronicles. Then I will be all about Never Let Me Leave, which is Melissa Allen #2. I also have 3 short stories due by the end of the year. So, my days will be marked by word counts, revisions, and page proofs. It's boring from the outside but awesome for me. I'm busy but I'm happy.


Still to be released in 2014

• August, Doc Wagon 19 (Catalyst Game Labs)
• October, "Dreams of a Thousand Young," Jazz Age Cthulhu (Innsmouth Free Press)
• November, Shattered Shields  (Baen Books)
• November, Chicks Dig Gaming  (Mad Norwegian Press)
• December, "Written in the Wind," No True Way and Other Tales of Valdemar (DAW)
• December, Apocalypse Girl Dreaming (Evil Girlfriend Media) - Though, this may move to early 2015

The Husband decided a couple months back that he wanted to go on a real (not to a convention, not to Sherpa me around, not to try and sell books) vacation. I agreed. Fortunately, with the timing, all the stars aligned and this vacation happened right after I signed a three book deal. (Whoo-hoo!) That meant I could actually relax, too.

We went to Sooke, Canada on Vancouver Island and stayed at Points West (who was quite pleased to host “a real author.” It was wonderful. Exactly what we both needed. We slept in. We had two planned events (Afternoon tea at the Empress and a visit to Royal Roads University) for the entire trip. Everything else was spur of the moment.

We spent one day just driving up the west coast of Vancouver Island from Sooke to Port Renfrew. We came across three amazing, amazing places. You see, beyond being B&B country, it is Artisan country and there are roads signs that say “Artisan” and the name of the artist country. We stopped at a bunch but here were the stand outs.

Aivars Logins, Wood Artist – The sign wasn’t much but I like woodcraft. Man, oh man. If I was rich, Aivars would never be out of work. You have got to see his carvings. Small or large, all of it was amazing. Also, he and his wife live in a 14-sided house that looks a little like a gussied up grain silo. He let me look around it because it was so interesting. We bought a burl cedar bowl so I can stick all my random jewelry in my office in one place.

(Burl bowl and steel feather.)

Foggy Mountain Forge – This place. A working forge with the nicest guys ever. Marty made us a steel feather from a thin rod as he was showing us how everything worked. I also picked up a card holder that won’t walk off and Jeff got a ridiculous mace. Marty, it turns out, is also the fire chief in the area while his son, Justin, who specializes in weapons, is also a volunteer firefighter. Marty’s wife is an EMT. It makes sense. They all know how to deal with fire. I had a blast at this local artist. It’s the kind of place you revisit. And I’m sure some version of the Gilbertson family is going to end up in one of my books.

Tugwell Creek Honey Farm and Meadery – Mead! And honey! We met Dana in the tasting room and wow, they make excellent honey. No fooling. We came home with several bottles and honey and some honey-logenberry jam. It was so good. Dana is personable and happy to talk about the meadery. Soon, the place is going to host the only honey / beekeeping museum on the island. The adding ego boost was running into a family from Redmond where the wife said, “I’m so excited to meet a real live author!” It was fun and another brush with being an "obscure celebrity."

Now that I’m home, I feel relaxed and able to meet my work schedule for the rest of the year. Which needs about 1000/day/5 days a week for the next 26 weeks. Doable as long as I’m consistent. Every writer needs a real vacation to refresh the creative well. This was the perfect one for me.