Jennifer Brozek | All posts tagged 'anthologies'

Happy Publication Day to Me

One of my editor friends declared it “Jennifer Brozek Publication Day” as I have not one but two new releases today! As an author, Shadowrun: Auditions has been released in ebook and paperback! As an editor, 99 Fleeting Fantasies anthology has also been released in ebook and paperback. It is a good day. (How to get physical books signed by me.)


Shadowrun: Auditions UBL

FOUR SECRET AUDITIONS…

Fixer BlotterBabe must have exactly the right actors for a production that requires very specialized talent. The actors must not only be skilled, they need to have the right attitude and an ability to adapt to extraordinary circumstances.

A Kiss to Die For: Kintsugi and Sartorial choose love over duty, but their respective families will do everything in their considerable power to stop them from being together.

See How She Runs: Terrapin witnesses a murder and is handed a package destined for some important and lethal people. Now she is running for her life.

Unrepairable: Landon and Liana love vexing megacorps for fun and profit with their Matrix show. Unfortunately, the megacorps always play dirty, and will do whatever’s required to shut them down for good.

The Kilimanjaro Run: Charlotte, Neema, and Elijah embark on an unexpected adventure that turns into a nightmare when they discover nothing is what it seems. They are left with no choice at all when choosing between the abhorrent and the right thing to do.

FOR THE MOST DANGEROUS RUN OF ALL…

Having auditioned thousands, BlotterBabe is out of time. It’s come down to these few teenagers. Either they will save the day or lose it all…

“Cons, lies, double-crosses, flat-out thievery—all the fun stuff. Auditions reads like that great first act of a heist movie. Everyone’s showing off their particular set of skills while Brozek teases us with threads of what’s to come.” —New York Times bestseller Peter Clines, author of The Broken Room

“Brozek spins a clever introduction into the world of Shadowrun in Auditions. It’s perfect for newcomers, but also showcases shadows that have never been explored yet feel perfectly familiar.” —Crystal Frasier, author of Pathfinder: Spiral of Bones

 

 
99 Fleeting Fantasies anthology UBL

EVEN A DREAM CAN BE CAUGHT IN PROSE…

There’s nothing better than a moment of whimsy and a dash of the fantastical to get the mind wandering. 99 Fleeting Fantasies is a flash fiction anthology readers can tiptoe through for a bit of wonder or while away an afternoon as they meander from old-time tales to far-flung fables to serious snippets of legend and lore that come from all over the world, including Australia, Canada, England, France, Germany, India, Ireland, Malaysia, Mexico, Nigeria, and the United States.

Featuring stories from the imaginative minds of Cat Rambo, Charles Stross, Crystal Frasier, Jody Lynn Nye, Jonathan Maberry, Premee Mohamed, Seanan McGuire, Wole Talabi, and many more!

An Iceberg Duck AKA Planning for 2023

I think 2023 is going to be a bit different for me work-wise. Right now, I have one small project under contract and that is it. As a freelance author and editor I should be terrified, but I’m not. Probably because I know there are a number of projects coming down the line, and even though you can’t trust a damn thing in the publishing industry until it is under contract (and even then it can be suspect), I’m confident at least one of these (rather large) projects is going to land.

The problem will come if more than one of them lands too close to another.

Fortunately, all of the projects in the air are awesome and I’m really looking forward to working on each of them. It’s part of my new professional strategy: Do not accept a contract that you are not in love with. If it doesn’t tick 90+% of the boxes, let it go and give someone else a chance to pick up the ball and run with it.

All this is to say that I won’t be listing out all my projects and their timelines because I can’t. This is rather like the year of the Iceberg Duck. Iceberg: because most of its bulk is unseen. Duck: because it seems smooth and graceful on the water as it sails by, but it is paddling like mad underneath.

What do I know? Not that much. Most of it speculative

  • I have a novella and two anthologies to be released in 2023 along with numerous short stories.
  • I have one or more anthology projects planned.
  • I have a couple of Shadowrun projects to work on.
  • There is a multibook novel contract in the works.
  • I will be teaching classes for the Rambo Academy for Wayward Writers in February and March. There will be more during the year, but that is what is currently scheduled.
  • I have three major projects floating around my radar, but until they land, they are just blips on a screen.

At times like these, I turn to what I do know: I need to finish paying work first. I have two original projects that have been eating my brain for over a year. I also know my best bet is to work on the things I can control and the rest will sort itself out in its own time. Thus, I will begin by working on the bits of Shadowrun that I can and then I’ll dive into Dear Penpal—a fictional YA epistolatory project inspired by my time in Belgium living in a 300+ year old manor house in 1980. Those will keep me happily occupied for a few months. Then we will see what we see.

The 2022 End of the Year Wrap-up

Per usual, I like to round up the year to see what I accomplished as an author, editor, and media tie-in writer. This year was a bit unusual. Year three of the pandemic and I knew I needed more rest than normal because of the general trauma of it all. Between that and anniversaries of my parents’ deaths and a whole host of other things, I structured the year a bit differently.

First, the cold hard numbers…

  • New words written: 94,100.
  • Words edited (for me and others): 342,000
  • Works submitted: 13
    • Acceptances: 10 (76.9%)
    • Rejections: 1 (7.7%)
    • Still out: 2 (15.3%)
  • New works published: 1 novel, 2 novellas, 8 short stories, 1 anthology, and 2 books re-released (1 fiction collection, 1 novel)

New words written thoughts: For the first time in a very long time, I wrote less than 100K new words in a year. When I first saw the numbers, I was startled and a little upset. Then I thought about the three month writing break I put in the middle of the year because I needed it. Then I looked at how much I had edited: 2 novellas, 1 novel, and 2 anthologies. That was where my time went and why my “new words” number seemed low to me.

Sometimes authors put too much emphasis on quantity over quality. It’s a bit like watching the scale and wondering why you’re not losing pounds while you are lifting weights and gaining muscle mass even as your waist line shrinks. I keep track of the numbers to tell myself about how I worked and what affected me where. Travel, grief, other work, teaching classes. All of it counts. This is why I keep track of everything I do in a day. I can always tell when I had to stop and spend an hour looking at a contract rather than writing. Or when the words wouldn’t come because I was grieving. My Freelancer Summary is invaluable to me. I’ve had enough people ask me about it that I’ve created a blank 2023 RTF document for people to download and use as they will. (Direct Download Link.)

This was an excellent year for submissions for me. I don’t think I’ve had such a high acceptance rate before and that makes me feel good. I like to get my short fiction out there. I like it more when it is accepted. I will never get over the rush I get at an acceptance.

New works published: I had a Shadowrun novel, Elfin Black, and a Shadowrun novella, Unrepairable, published along with a FiveFold Universe space opera novella, Truumeel’s Light, published. Then there were the two re-releases: Apocalypse Girl Dreaming and Last Days of Salton Academy. Also, I’m quite proud of the anthology, The Reinvented Heart, I co-edited with Cat Rambo. Yeah, 2022 was a good publication year.

    

   

I’ve forced myself to take an actual break for the last two weeks of 2022. It’s been good but weird. Part of me is desperate to rest. Part of me is desperate to get back to work. I think 2023 is going to be interesting in a good way and I’m looking forward to it. There’s a lot to think about and a lot to plan for. However, that is for 2023 Jennifer to deal with. 2022 Jennifer is in “potato” mode. In the meantime, I’ve got a fiendish puzzle from my sister to work on.

Thank you to every single one of you who reads me and enjoys my work.
I hope you have had a lovely holiday season and I wish you the brightest new year.

Bubble and Squeek for 13 Oct 2022

Today's Bubble & Squeek is brought to you by the letter "E" for edit because that's what my main focus is on right now.

Publication: Tales of Nightmares anthology edited by Loren Rhoads with my story “Twenty Questions” in it. It’s getting some nice reviews!


Pre-Order: Truumeel’s Light. Space opera novel. Part one of the Tears of Perseus story written with five other fabulous authors, including Kevin J Anderson.  

Review: What a lovely and in-depth review of The Reinvented Heart anthology from http://www.llamareadsbooks.com/. I really do like this anthology.

Review: Cannonball Read reviews The Reinvented Heart anthology and likes it! Another good one.

Review: A great, detailed review of Tales of Nightmares anthology. One of my oldest stories is reprinted in this one.

Support: As always… if you appreciate my work and would like to support me, I love coffee. I am made of caffeine. This is the quickest way to brighten my day.

Bubble and Squeek for 29 Jun 2022

As the world continues to spin and time slips away, life happens. I'm back to writing as well as editing while trying to ignore social media. In the meantime, here's what's crossed my desk.

Awards: BattleTech: Crimson Night, Rogue Academy Three, has been nominated for a Scribe award! It's always an honor to be nominated, but just look at that lineup. I'm in such good company.

Interview: I was interviewed on the Douglas Coleman show. This was a fun one. Listen to it on Youtube or in Podcast form.

Open Call: Announcing the 99 Fleeting Fantasies anthology open call. All genres of flash fiction fantasy. One month open call from July 15-Aug 15. (Also, might I  direct your attention to: Round One of Slush Reading from the 99 Tiny Terrors call. Or The Reinvented Detective Slushpile Tweets round up for insider tips and hints on making it through a slushpile.)  

Publication: For the HWA Of Horror and Hope anthology: Words to Fill the Well. I wrote this one because I was in a terrible mood and needed to write it out. It did me so much good.

Released: New thing I edited now for sale from Priebe Press... 2d6 Superfast One Shot character sheets and game mechanics! It's a fun, quick system to use.

Support: As always… if you appreciate my work and would like to support me, I love coffee. I am made of caffeine. This is the quickest way to brighten my day.

Leeloo in my suitcase, trying to make sure I don't leave without her.

 

Bubble and Squeek for 6 June 2022

There is much that goes on in a writer's life. Here's some of things I've been working on in the background.

Open Call: Announcing the 99 Fleeting Fantasies anthology open call. All genres of flash fiction fantasy. One month open call from July 15-Aug 15. (And might I also direct your attention to: Round One of Slush Reading from the 99 Tiny Terrors call. Or The Reinvented Detective Slushpile Tweets round up.)  

Interview: The ever-talented Cat Rambo interviewed me for Horror Tree and I got to tell one of my most favorite stories about frightening an entire room of convention goers.

Interview: My Favorite Bit about The Reinvented Heart anthology. Sometimes, the best part of the project is the people we work with.

Interview: Bookish Brews asked me and Cat Rambo what we love about The Reinvented Heart anthology. There is so much to love in this anthology.

Interview: From Nerds of a Feather… Six Books with Jennifer Brozek. Six is not enough. Some many books have touched my life.  

Support: As always… if you appreciate my work and would like to support me, I love coffee. I am made of caffeine. This is the quickest way to brighten my day.

Three kitties who did not want to get off my lap.

Bubble & Squeek for 5 May 2022

Time is always getting away from me these days, but not because I'm doing nothing. This Bubble & Squeek is mostly interviews with me (and with Cat Rambo) that have happened over the last month or so. Enjoy!

• Article: The Reinvented Heart anthology was listed in 52 New Sci-Fi and Fantasy Books for Your May Reading List on Gizmodo.

• Interview: With Scifi Pulse magazine. Jennifer Brozek discusses writing styles and creating engaging characters.

• Interview: Horror Tree Presents… An Interview with Cat Rambo and Jennifer Brozek.

• Interview: 2 Part interview with Signals From the Edge. The Reinvented Anthologies: Conversation with Cat Rambo & Jennifer Brozek, parts one and two.

• Interview: Author interview with Prachesta Magazine.

• Support: As always… if you appreciate my work and would like to support me, I love coffee. I am made of caffeine. This is the quickest way to brighten my day.

Bubble & Squeek for 30 Mar 2022

This Bubble & Squeek is brought to you by many many release, re-releases, and reviews! Plus, bonus pictures.

Print Release: Here's the public print release of  THE LAST CITIES OF EARTH anthology by me and Jeff Sturgeon.


Review: Literary HubMarch's Best Sci-Fi and Fantasy Books: THE REINVENTED HEART anthology by me and Cat Rambo. It's always a joy to be on a "Best" list.

Review: nerds of a feather… Here's a good review of THE REINVENTED HEART anthology. Didn't tick all their boxes but did tick a lot.

Re-release: Speaking Volumes has re-released my Bram Stoker Finalist YA novel...THE LAST DAYS OF SALTON ACADEMY. Come read how I murdered all my friends in a zombie apocalypse. Also, that cover!


Re-release: Speaking Volumes has re-released my short story collection…APOCALYPSE GIRL DREAMING. This is my first short story collection. And again, that cover!


Publication: After 5 months of wrangling with Amazon, 99 TINY TERRORS, is published there, too. (The physical version will show up eventually.) Here's the universal link.


Publication: My latest Shadowrun novel: ELFIN BLACK is in the wild! How do the powerful deal with being powerless? Badly. Then with malice and forethought. I'm so pleased with this novel.


Support: As always… if you appreciate my work and would like to support me, I love coffee. I am made of caffeine. This is the quickest way to brighten my day.

The Reinvented Heart eBook is Live

Life is exciting. Time is a construct. Schedules get changed. Things get forgotten. This post is about all of those. Due to life being as it is, we have the wonderful opportunity to have two release celebrations for the same anthology! THE REINVENTED HEART anthology had its ebook version released on time yesterday (Mar 10, 2022) and, due to supply chain issues, its print book version will be released on May 31st .

The Reinvented Heart is released in eBook form now.
Amazon: https://www.amazon.com/Reinvented-Heart-Jane-Yolen-ebook/dp/B092JNGX85

Barnes & Noble: https://www.barnesandnoble.com/w/the-reinvented-heart-jane-yolen/1139229735?ean=2940165273438

Kobo: https://www.kobo.com/us/en/ebook/the-reinvented-heart

Apple: https://books.apple.com/us/book/id1562923075

The print copy will be released on May 31st. It can be pre-ordered now.
Barnes & Noble: https://www.barnesandnoble.com/w/the-reinvented-heart-caezik/1139312391?ean=9781647100421

Amazon: https://www.amazon.com/s?k=9781647100421&ref=nb_sb_noss

What happens when emotions like love and friendship span vast distances — in space, in time, and in the heart?

Science fiction often focuses on future technology and science without considering the ways social structures will change as tech changes — or not. What will relationships look like in a complicated future of clones, uploaded intelligences, artificial brains, or body augmentation? What stories emerge when we acknowledge possibilities of new genders and ways of thinking about them?

The Reinvented Heart presents stories that complicate sex and gender by showing how shifting technology may affect social attitudes and practices, stories that include relationships with communities and social groups, stories that reinvent traditional romance tropes and recast them for the 21st century, and above all, stories that experiment, astonish, and entertain.

TABLE OF CONTENTS
Foreword by Cat Rambo
HEARTS
Poem: They: A Grammar Lesson by Jane Yolen
Retrospect by Seanan McGuire
Lockpick, Locked Heart by AnaMaria Curtis
Touch Has a Memory by Lisa Morton
Ping-Pong Dysphoria by Madeline Pine
In Our Masks, the Shadows by Sam Fleming
Ships of Theseus by Felicity Drake
With All Souls Still Aboard by Premee Mohamed
More than Nine by Beth Cato
HANDS
Poem: There Is a Hand by Jane Yolen
The Shape of the Particle by Naomi Kritzer
No Want to Spend by Sophie Giroir
Little Deaths and Missed Connections by Maria Dong
Sincerely Yours by Lyda Morehouse
Photosynthesis, Growth by Devin Miller
No Pain but That of Memory by Aimee Ogden
Go Where the Heart Takes You by Anita Ensal
MINDS
Poem: Mars Conquest by Jane Yolen
The Star-Crossed Horoscope for Interstellar Travelers by Fran Wilde
Canvas of Sins by Mercedes M. Yardley
If My Body Is a Temple, Raze It to the Ground by Lauren Ring
PerfectMate™ by Xander Odell
Etruscan Afterlife by Rosemary Claire Smith
Our Savage Heart Calls to Itself (Across the Endless Tides) by Justina Robson
Afterword by Jennifer Brozek

I am super proud of this anthology. I've enjoyed the heck out of working with Cat Rambo and am happy to being working with her again on THE REINVENTED DETECTIVE.

The Reinvented Detective Slushpile Tweets

Early in my writing career (and even now), I was fascinated by editors who talked about slushpiles as they went through them. I learned a lot—both good and bad—about the submission process. The Reinvented Detective will be the 22nd anthology I’ve edited or co-edited. (Though, I don’t think it’ll be the 22nd anthology released. The publishing industry is complicated.) I figured that if I got something out of that kind of information, I should past it on and share some of my thoughts as I read 20-40 subs a day. I tweeted these out on my Twitter account: @JenniferBrozek.

Note1: These “Editor Tips” are not picking on anyone in the slushpile. Some submissions reminded me of issues as I went through. If you submitted a story, do NOT assume a tip is about you. Please. I’ve read a lot of slush (Apex Magazine, Edge of Propinquity, 22 anthologies…) and my thoughts are linked to all of them.

Note2: These are my opinions. I’m made them as generic as I could with an effort to not name names. These are based on experience and my likes/dislikes. “No shit, there I was stories” need to be in person with a libation in hand.

1. From the Slushpile: While you won't be rejected for a typo in your second sentence, it doesn't look good on you as a writer. Spellcheck is not your friend. It is a double agent who will let you write "barley" when you mean "barely." Do not trust it!

2. From the Slushpile: If the story is so generic that I can't tell what genre it is supposed to be, the writer has not done their job. Body language and descriptive word choice is worldbuilding. Details matter—even more so in short fiction.

3. From the Slushpile: If you use track changes in your document, please remember to accept all changes before you turn in your story. I really don't need to see your edits. This happens way too often.

4. From the Slushpile: If the guidelines say original fiction only and/or no reprints, that means NO REPRINTS. If the story has been sold/printed/posted anywhere, it does not qualify per the guidelines. If the writer still submits the story, it does nothing but wastes the editor’s time.

5. From the Slushpile: When the guidelines ask for a specific type of story, especially genre (IE: SF), a writer’s story, no matter how good it is, will not qualify if it is the wrong genre (IE: Fantasy). It is a waste of time on both sides to submit it.

6. From the Slushpile: Don’t begin a short story with historical backstory or an infodump. Begin your story in a way that catches the attention, necessary details can be sprinkled in later like spice. Trust the reader to keep up.

7. From the Slushpile: While every anthology may have its theme, many of the choices are subjective and based on the Editor’s likes and dislikes. Sometimes it is good to know what kinds of stories the editor loves or hates. (IE: I love “hidden world” stories. I hate “hurt the woman/child to turn on their power” stories.)

8. From the Slushpile: Beginnings are extremely important. Hooking the reader with emotion, a provocative thought, or interesting action allows the writer to pull the reader along as the story unfolds. Start with what is important.

9. From the Slushpile: Endings are as important as beginnings. Learn when and how to end a story without cutting it off too quickly or stringing it out too long. This is the last impression the story will leave on the reader.

10. From the Slushpile: I don’t care how avantgarde the writer wishes to be, writing a story with little (or no) punctuation is going to be a HARD sell. It is difficult to read and even more difficult to edit.

11. From the Slushpile: Stereotypes and cliches are not usually a good look in a story. They are often too familiar, trite, and boring. If the writer is going to use one, make it different and interesting.

12. From the Slushpile: Cover letters should be simple and to the point without extraneous information. Also, don’t say “aspiring author” in a cover letter. The writer is an author by the mere fact that they have submitted their work. Doesn't matter if they are unpublished.

13. From the Slushpile: A short story title is a promise from the writer to the reader. Don’t make the short story title too generic. Make the promise and give the reader something to look forward to.

14. From the Slushpile: Sometimes a brilliant first line/first paragraph is all that’s needed to keep me reading through the parts that need to be edited. Though, a brilliant first line won’t save a story that isn’t right for the anthology.

15. From the Slushpile: Flashbacks in a short story are hard to do well. More often than not they are infodumps or backstory that could be told in better ways. Consider that for future stories.

16. From the Slushpile: Using specific, named media/personalities (TV shows, movies, songs, actors, politicians, CEOs, etc…) or modern day slang in a short story can date them quickly. Try to avoid this unless this is part of the anthology call.

17. From the Slushpile: Humor and sarcasm are subjective. Understand the reader is not in the writer’s head and may not understand what was meant. Deploy with care.

18. From the Slushpile: Seriously, learn how to write a simple, effective cover letter. All the writer actually needs: Writer’s name, the story’s title, word count, (optional: anything else specifically asked for,) thank the editor for their time. The end.

19a. From the Slushpile: Now that I’m done reading slush for The Reinvented Detective, here is a controversial topic: reading stories from writers the editor has met. There is a certain joy or pain that comes from name recognition in the slush pile. This emotion can bias the editor towards or against the writer.

19b. Often, if the editor knows the writer in a favorable context, it will make them more patient with the story they are reading. More willing to consider edits. This includes reading stories from writers who have been in classes, workshops, and/or kaffeeklatsches with the editor. Or bought them a drink/meal and picked their brain.

19c. The converse is true. Editors can be more impatient with stories or less willing to entertain edits if the writer is known in an unfavorable context. Especially if the writer is a known “repeat offender” (virtually or in person) for whatever reason.

19d. That said, if a story does not stand up against its peers in an anthology, it doesn’t matter how much the editor likes the writer, the story must be rejected as it is unsuited to the work in progress. I speak as someone who has rejected Ed Greenwood and Seanan McGuire. (Ya'll know I adore both Ed and Seanan. Ed was one of my first co-authors and taught me a lot. Seanan...one of my best friends.)  

19e. Editors want to publish you, /if/ the story is good and suits what they need. Editors love finding new talent or that story that wins the awards. Editors are human with likes, dislikes, and inherent biases. I try to be as fair and professional and transparent as possible.

19f. I hope this peek into my editorial thoughts has been helpful. Don’t forget that you can pre-order/buy The Reinvented Heart anthology, edited by me and the ever-talented Cat Rambo, now. (https://www.arcmanorbooks.com/reinvented) The Reinvented Detective will be released in 2023.


 
Here’s a cat picture (a blast from the past) to sooth author anxiety.