Jennifer Brozek | Wordslinger & Optimist! - Page 2

Bubble and Squeek for 27 April 2016

by Jennifer Brozek 27. April 2016 16:30

Release: Colonial Gothic: Lost Tales - This is my "Oops! I have a fiction collection" book. Rogue Games collected all my RPG fiction in the Colonial Gothic universe. Supernatural horror in 1776 for the win!

Review: The Melissa Allen series got a NICE shout out in this: Where Are My Damn Heroes? This article makes me really happy. It's nice to be understood.

Sale: Reminder - Last Chance Karen Wilson Chronicles Trade Paperback Sale. 4 Trade for $30.

In the "I've been so busy writing the Shadowrun novel, I didn't notice this was announced" side of things, Project Joe got announced two months back. Project Joe is actually H.E.A.D. Hunters from Gut Shot Games. I wrote all of the background stories for every character and the setting. The announcement and podcasts are system focused, but it is nice to be able to talk about the game now.

Announcement: Gut Shot Games Announces H.E.A.D. Hunters, designed by Ben Cichoski and Danny Mandel (the guys who designed Legendary Encounters).

Podcast: Dukes of Dice - H.E.A.D. Hunters, system discussion starts at 1:10. Pretty crunchy discussion.

Podcast: Bearded Bards of Board Games - H.E.A.D. Hunters, more detailed system discussion starts at 1:19. There are brief comments about the character stories. It seems I really disturbed the designers with the Lechuza (Owl Witch) story. :)

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Tell Me - Camille Griep

by Jennifer Brozek 25. April 2016 09:13

Camille is a lovely woman and wonderful author. I blurbed her most recent release, New Charity Blues. Today, she talks about how writing is like taking care of horses.

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Even Cowgirls Get The Blues

Growing up in the eastern prairielands of Montana, it was hard not to become a girl who fell hard for horses. Though almost two decades now sit between me and my halcyon horsey days, they came rushing back as I settled in to write my second novel, New Charity Blues.

The book is a post-pandemic reimagining of the Trojan War. We meet Cressyda (Syd) Turner in the first chapter, as she stumbles through the ruins of a city unable to rebuild because of the water-hoarding greed of her upstream hometown, New Charity. When she receives word of the death of her father, she is allowed to pass through the gates of her isolated birthplace. Under the guise of settling her father’s affairs, she plots to open the floodgates of the reservoir. But before she can set about her adventure, she has to get back on the horse – literally.

The process for Syd was not so unlike the process of saddling up to write a second book. Here are five ways “horse sense” is remarkably applicable to the process:

1. Stay close to the horse’s ass, or really far away.

Horsewomen know about the kick zone – the area where a horse’s hooves can do a fair bit of damage. Accordingly, there are two ways to safely navigate an equine backside: 1. hug the tail or 2. give the butt a wide berth.

I’ve found writing to be similar in many ways. When I approach a project, I need to stay close to it, giving it the thought, time, and attention it needs. For my personal process, thinking and decision-making time is imperative before I commit to point of view choices, tense, and character arcs. Over the course of two novels, I haven’t yet fully shrugged off the mantle of a pantser, but I’ve also discovered too much exploratory writing can be detrimental. Though exploration works for a lot of writers, when I spend a lot of time working aimlessly, I end up hating my ideas, my writing, and, sometimes, the entire concept. I’ve been accused a time or two of being an all or nothing person, and it’s true here. When I begin to create, sticking close to a project is good, as is staying far away, but picking at the road apples in the middle of the strike zone is a sure way to end up with manure on my face.

2. Be mindful of your surroundings, but not too mindful.

Three flighty Arabian horses lived in our barn when I was a child. Because I started riding quite young, I hadn’t yet grasped that animals, much like people, weren’t guileless. It was not until I was 11 or 12 that I began to realize that my horses didn’t necessarily want to ride out into the hills with me instead of standing in the sun snacking on hay.  One of their favorite tricks – a specialty of many Arabians, as owners will tell you – was spooking at any small thing on the trail. Be it bird or plastic bag, grasshopper or garden hose, their feigned surprise would often be my unseating. As I got older, I learned to anticipate their antics, which didn’t stop them, but kept me on top of my mares instead of underneath them.

I was under contract for New Charity Blues when my first novel, Letters to Zell, was released. Finishing a book while another is just making its way into the world is a fairly common writerly experience, but I hadn’t learned to tune the rest of the world out very well. In particular, I hadn’t anticipated any harm in skimming my reviews each morning before I started to write. There were so many nice reviews, but I was mostly obsessed with the bad ones, the insulting ones, the nasty ones – no matter that I’d been warned to expect them. I knew, academically, all writers had bad reviews, but I wasn’t prepared for how they’d feel. But after a stern talk with myself (some people will like our books and some won’t and that’s okay), I stopped looking around and started looking at my laptop again. I learned to anticipate the antics of the world-at-large and kept my seat in the office chair.

3. Listen to your mount.

When I was in high school, my most placid and well-behaved mare, Ileah, and I were on a short trail ride in the hills near my house. She almost never refused obstacles of any sort, so it was odd as we climbed a springtime-damp hillside when she stopped in her tracks. I urged her forward, insisting that it was a teachable moment. What I didn’t know was that there was a piece of barbed wire in the soft ground. She tore the skin on her leg badly as she pulled her leg from the mud. At first I thought I’d killed her, there was so much blood, but I bandaged her with my purple bandana and watched shakily as the vet sewed her leg up with something that resembled an upholstery needle.

As with a trusted friend or equine, it can be important to listen to our manuscripts. Sometimes when things aren’t working, there’s a reason and instead of digging our heels into a chapter’s side, it’s best to circle back around and find another route through. I spent a couple of months trying to keep a character in the early chapters New Charity Blues who, if I was honest, had no true function except that I wanted him there. But in the end, the book was better served by placing him far on the periphery, finding another way into that part of the story.
 
4. Never let your horse run home.

Just as there were periods of trepidation during the writing of New Charity Blues, there were periods of complacency. I wasn’t ever complacent with the writing itself, but I was surely careless with time management. After all, I’d written one novel. I could do another with one hand tied behind my back. Except that I couldn’t. 

There’s a rule – or at least there was back when I took endurance and trail-riding lessons – that you never let your horses run home. I even mention it in the book when Cas and Len are out checking fences. It’s generally thought to be good discipline, and, well, safer. In my case, letting the horse run home always gave me trouble on what came to be known as “Double Buck Hill.” I wish I could tell you how the terrain was named for two kindly, male deer. I must admit, however, when I let my hot-tempered mare, Dawn, have her head before our last, small descent toward home, she would manage to unseat me, not once, but twice almost every time.

I turned in my novel edits at the end of an almost six weeks of contiguous travel. At the end of it, I felt like I’d been bucked off a horse more than twice. Talking to my editor from a hotel in Missoula, she suggested that perhaps I make things easier on myself schedule-wise the next time I turned in a book. She isn’t wrong. Conventions and festivals and readings are all wonderful things for authors to do, but I didn’t have to be Superwoman, and I probably won’t try to be again. Though I’m told I fall surprisingly gracefully, I haven’t managed the flying part yet.

5. The best way to end a good ride is a stiff brush and a cube of sugar.

Talking to a friend recently, I remarked how we as artists and writers deny ourselves lots of things. Writing is a luxury for a lot of us – time given up to something we love, but often in the sacrifice of other things we love, like relationships or other passions. It’s worth it for almost all of us, or we wouldn’t do what we do, but often we forget to reward ourselves.

If a horse isn’t wiped down, dried off, and brushed after a ride, their coats get slick with sweat and can be rubbed bare, both unsightly and uncomfortable. And rare is the horse that declines an after-work apple or post-adventure alfalfa pellet. I don’t think it’s any different for writers. If I had to give one piece of advice to the hard workers I’m surrounded by in my own literary community it would be this: reward yourself for meeting your goals, small or big. Reward yourself for hitting your word count. Reward yourself, especially, for finishing, for turning a corner or solving a problem. It doesn’t have to be a milkshake – it could be a short walk or a round of tug-of-war with the dog or even a nap – just let the thing bring you joy and you’ll be that much more refreshed when you put the saddle on once again.

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Camille Griep lives just north of Seattle with her partner, Adam, and their dog Dutch(ess). Born in Billings, Montana, she moved to Southern California to attend Claremont McKenna College, graduating with a dual degree in Biology and Literature.

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Tell Me - Josh Vogt

by Jennifer Brozek 11. April 2016 08:40

I met Josh at Origins in 2015. We had the pleasure of both being up for the same award. We decided that made us nemeses. In truth, we’re both pretty bad at being each other’s nemesis because Josh is one of the genuinely nicest authors out there. I loved ENTER THE JANITOR so much that I insisted that he let me blurb MAIDS OF WRATH (so I could read it early). I wasn’t disappointed. Writing and editing are Josh’s reasons for being… and this is his explanation why.

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A Lifelong Cure for Boredom

I hate being bored. When I was a kid, the times I got bored were the times I invariably got in trouble, whether because of trying to mix up explosives from a chemistry kit or finding ways to booby-trap my sisters’ bedroom (look, I didn’t understand the concept of ‘plausible deniability’ back then, okay?).

Books quickly became mainstays of my attempts to ward off boredom, and remained a central part of my free time as I grew up. I could find endless adventure in the stories they held. I could be transported to whole new worlds, meet impossible people and creatures, and always wonder what might come next. Whenever the threat of boredom loomed, I now had an escape nearby, if not already in hand.

In my early college years, I knew that whatever career path I took, it needed to be something that would constantly challenge me. Something that would provide ongoing variety and force me to keep growing and learning and expanding my experiences. If I got stuck in a rut with a job, it just wouldn’t last. I looked at lots of possible paths—everything from art to politics to stage magic to psychology. Nothing stuck.

Then, one afternoon, I was reading a fantasy novel when a thought came to me: “I could’ve written this! In fact, I could’ve probably done a better job, too.”

And then a little voice spoke up in the back of my head, saying, “Prove it.”

In that moment, a goal crystallized for me. I would be an author. A career author, at that, who would spend the rest of his life crafting stories like the ones I’d grown up loving and, in many ways, living through. At the same time, I realized that in pursuing this dream, I could tap into something I didn’t realize actually existed until right then—a lifelong cure for boredom.

See, being a writer—and now a published author as well as an editor—gives me a chance to experience endless variety. There’s really no end to what I can learn and experience and turn into a story, unless I choose for there to be (and that’s not going to happen in any foreseeable future).

I can write in different genres, like fantasy, science fiction, horror, cyberpunk, urban fantasy, pulp, and more. I can write in different voices, whether I’m evoking the unfathomable horror of the Cthulhu Mythos or indulging my love of humor with novels like Enter the Janitor and The Maids of Wrath. I can write different story lengths, from flash fiction (1,000 words or less) to doorstopper epic fantasy novels. I can write in different industries, whether I’m a freelance copywriter producing blog content and sale letters or writing roleplaying game tie-ins like Pathfinder Tales: Forge of Ashes.

In all this, not only am I giving myself a reason to endlessly pursue the new with every story I write, I like to think I’m giving other readers the chance to experience the same joy of discovery and adventure that thrills me to this day. For me, there’s always going to be another story to tell.

And I wouldn’t have it any other way.

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Author and editor Josh Vogt’s work covers fantasy, science fiction, horror, humor, pulp, and more. His debut fantasy novel is Pathfinder Tales: Forge of Ashes, published alongside his urban fantasy series, The Cleaners, with Enter the Janitor and The Maids of Wrath. He’s an editor at Paizo, a Scribe Award finalist, and a member of both SFWA and the International Association of Media Tie-In Writers. Find him at JRVogt.com or on Twitter @JRVogt

 

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Bubble and Squeek for 7 April 2016

by Jennifer Brozek 7. April 2016 13:59

It is all Shadowrun all the time right now. I'm deep into MAKEDA RED and that's pretty much all I'm doing right now. So, here's some links for you and a chance for you to win a set of Melissa Allen audiobooks.

REVIEW: Here's a great review of NEVER LET ME. I really appreciate reviews like this.

REVIEW: Here's a really good review of APOCALYPSE GIRL DREAMING. I love the fact that some of the stories stick with her.

REVIEW: Here's a great review of DECISION POINTS. The reviewer says that my story, "The Prince of Artemis V," hit a home run.

SALE: Apocalypse Ink Productions is having a sale of my Karen Wilson Chronicles books! If you were waiting to get any of the individual trade paperbacks, Now is the time to get them. After May 1st, they are gone for good. Karen Wilson Chronicles Trade Paperback Last Chance Sale. 4 Trade for $30.

AUDIOBOOKS: All three Melissa Allen audiobooks are available. You can listen to NEVER LET ME SLEEP, NEVER LET ME LEAVE, and NEVER LET ME DIE, read by the marvelous Elizabeth Evans. Also, email me at gaaneden at gmail dot com for a chance to win all three audiobooks!

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March Monthly Stat Thing

by Jennifer Brozek 1. April 2016 09:37

I’m going to ignore that it is the first of April and pretend that “lie and be cruel to the people who trust you most” day doesn’t exist.

Year-to-date stats:
Fiction words written: 58,210 / 200,000
Article words written: 4230
My novels/collections edited: 3
Other novels/anthologies edited: 4
Events attended: 4 / 9

Mostly, I’m boring. I’m drafting my Shadowrun novel, MAKEDA RED. This means no social media until I hit word count unless there are extenuating circumstances… like picking up my new car.

I didn’t want to have to buy a new car, but mine got totaled at the end of February. I’m still reeling from sticker shock, but I do like my new car. It’s a Subaru Crosstrek Hybrid in sage green. I got my all wheel drive hatchback. The Husband got his hybrid. We’re both happy.

We think he’s told us his name but we’ve got to drive it a bit more to be sure.

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Bubble and Squeek for 22 March 2016

by Jennifer Brozek 22. March 2016 08:49

Bubble and Squeek is full of all kinds of good news. It helps me get over this terrible throat thing ("acute pharyngitis") I've been dealing with. Thank goodness for antibiotics. I am no longer contagious and will be at Norwescon.

Article: Never Let Me Sleep got a shout out in this article: 13 Horror Books that Might Be the Next Hit Movie. Can I just say, "Yes, please."?

Audible: All three Melissa Allen books (Never Let Me Sleep, Never Let Me Leave, Never Let Me Die) are available for pre-order on Audible! My first audiobook series. This is thrilling and terrifying.

Award: I’ve won 2nd place in the 2016 Jim Baen Memorial Short Story Award Contest! The thing I really like about this contest (besides that it is free to enter) is the fact that it is a blind read. It is the story that won. Not the author’s rep or connections.

Pre-Order: The Usual Path to Publication edited by Shannon Page. My own essay, "No One True Way," has three different examples of how I sold something to be published.

Release: Happy book release day to me. The Karen Wilson Chronicles ebook and paperback omnibus! It has all four KWC novels, every Kendrick story written (even the ones not in the four KWC books), and a new John Corso story. It’s pretty hefty and can be used as a bludgeoning instrument. I am so proud of this book!

Release: Speaking of the Karen Wilson Chronicles omnibus, it is also available in a Signed, Limited Edition Hardback form. We will only sell these at conventions (like Norwescon) and on the AIP website. Once they are gone, they are gone.

Reminder: I will be at Norwescon this weekend and here is my schedule. Hope to see you there.

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Norwescon 2016 Schedule

by Jennifer Brozek 15. March 2016 15:33

Here is my Norwescon schedule. If I am not at a panel, I will be at the Apocalypse Ink Productions table in Author Avenue. Come say hello, buy books, and get them signed. I’m happy to chat with you. Don’t be shy around me.

Thu 8:00 PM-10:00 PM - Cascade 12
Writers Workshop: Practicing Your Pitch

Jennifer Brozek (M)

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Fri 3:00 PM-4:00 PM - Cascade 9
Why Editors Pass

Phoebe Kitanidis (M), Jennifer Brozek, Betsy Wollheim, Sheila Gilbert

Fri 4:00 PM-5:00 PM - Cascade 10
Diversity, Society, Military, & SF

Kevin Mathews (M), Mike Brennan, Cheryce Clayton, Jennifer Brozek

Fri 6:00 PM-7:00 PM - Cascade 9
Writing is a Long Con

Elizabeth Guizzetti (M), Annie Bellet, Gregory A. Wilson, Jennifer Brozek, Dean Wells

Fri 8:00 PM-9:00 PM - Cascade 10
Young Fans & the Military

Elliott Kay (M), Alicia Faires, Jennifer Brozek

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Sat 2:00 PM-3:00 PM - Grand 2
Autograph Session
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Amber Bariaktari , Caroline M. Yoachim, Dave Bara, Dean Wells, Erik Scott de Bie, G. Willow Wilson, James C. Glass, Jennifer Brozek, John (J.A.) Pitts, Kristi Charish, Django Wexler, Frog Jones, Rhiannon Held, Sonia Orin Lyris, S. A. Bolich, Morgue Anne, Robert J. Sawyer, Spencer Ellsworth, Steven Barnes, Tori Centanni, Cat Rambo, Don Maitz, GregRobin Smith, Jeremy Zimmerman, Laura Anne Gilman

Sat 6:00 PM-7:00 PM - Cascade 10
Outlining for Pantsers & Everyone Else

Tori Centanni (M), Jennifer Brozek, Catherine Cooke Montrose, Raven Oak, John (J.A.) Pitts

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Sun 12:00 PM-12:30 PM - Cascade 1
Reading: Jennifer Brozek

Jennifer Brozek (M)
I will be reading from Never Let Me Sleep.

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Bubble and Squeek - The Melissa Allen Edition

by Jennifer Brozek 23. February 2016 09:37

I've been writing a lot on Project Joe. I also just taught at Foolscap and was the writer GoH at RadCon. So, there's not much to report except that I'm working lots. In lieu of new content, here's the great big awesome Melissa Allen trilogy round up Bubble & Squeek.

For NEVER LET ME SLEEP, I wrote for SFSignal and Chuck Wendig.


For NEVER LET ME LEAVE, I wrote for Wag the Fox and Damien G. Walter and had an interview with Spotlight Radio.


For NEVER LET ME DIE, I wrote for Jim Hines.


For NEVER LET ME, the omnibus, I wrote for John Scalzi and Mary Robinette Kowal.

Not a bad list of links, if I do say so myself.

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Tell Me - Peter M. Ball

by Jennifer Brozek 22. February 2016 08:52

It is my pleasure to have Peter tell you about the Flotsam trilogy: Exile, Frost, and Crusade. It's still one of my favorite works by him.
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IT ALL COMES DOWN TO NOSTALGIA AND COLLECTIVE PERCEPTION
I started writing Flotsam because all my friends were watching Supernatural and raving about the show. In reality they probably raved about all sorts of things, but the bowerbird like brain only remembers the bits that make for a good story, and in this instance this came down to three details:

  • horror
  • the decidedly late eighties/early nineties influences in the soundtrack
  • two brothers driving around in a black chevy Impala, fighting evil


I still haven’t gotten around to seeing Supernatural, which will probably cause some friends to break into my house and force me to watch the entire series, but that combination did get me thinking about what an Australian version of supernatural would look like. In the aussie version of that, I figured, it would be a guy driving around in a ute with a dog in the back.

And in that idea, Flotsam was born. The ute and the dog never made it into the book, but the music sure did. The day before I started writing, I went down to my local music store and picked-up their complete supply of Guns N’Roses albums.  Appetite for Destruction. Use Your Illusion I & II. G’N’R Lies. Songs I hadn’t listened to since I was fourteen years old and just starting to figure out how much I disliked living on the Gold Coast.

I spent a good hour listening to Paradise City on repeat, which had become a very different song in the twenty-five years since I’d first heard it on the radio. It surprised me how nostalgic the song had become, how much it was laced into my memories as the song that understood the ironies of living in a place most people go to for a holiday.

But the nostalgia was the easy part. The city was where it got tricky.

THE ACCUMULATION OF NAMELESS ENERGIES
One of my favourite scenes in Don Delillo’s White Noise takes place where Jack and Murray visit THE MOST PHOTOGRAPHED BARN IN AMERICA. Murray settles in and comments on the inherent irony of tourism and collective perception.

“No-one sees the barn,” he says. “Once you’ve seen the signs about the barn, it becomes impossible to see the barn.”

There are few things that have resonated with me quite so much, in fiction.

Given time, any place, any city, will begin to accrete stories. Eventually those stories harden into a specific narrative, a thing that overlays the experience of being there. There are stories that feel like they’re are built to exist in Los Angeles or new York, stories that are naturally set in Paris or Berlin. Go to those places, and you’re consuming the stories as much as the city.

The Gold Coast doesn’t fuck around. Its narrative is built on tourism. The quick trip in for a few days at the beach and local theme parks. Schoolies week, where flocks of recently graduated high-schoolers hit the tourist spots and party. Family trips to Coolangatta, away from the crowds.

It’s easy for tourists to lose sight of a place, simply because their repeating the experiences of those who came before them. But it also makes the Gold Coast a weird place to grow up, because that narrative is so strong, so central to the city’s existence, that it makes living there outright weird.

I had friends who drove cabs on the Gold Coast, and passengers would routinely ask where they were from. The idea that someone resided there permanently - a resident of a city a population of over a half-million people - was deeply unfathomable to the tourists.

BEING HERE IS A KIND OF SPIRITUAL SURRENDER
Another quote from White Noise, which I kept my computer as I wrote.

California deserves whatever it gets. California invented the concept of lifestyle. This alone warrants their doom.

If Australia has a place that sits in the national psyche like California does in America, its Queensland. And if there’s a bit of Queensland most Australians wouldn’t miss, should it slide into the sea to kick off an apocalypse, it’s the Gold Coast.

The accumulated stories about the Gold Coast are all about anonymity and waiting for something bad to happen. For a city people love to visit, the fiction surrounding it universally touched by darkness and loathing.

I went into Flotsam intending to give the city everything it deserved, but the surprise of writing Flotsam was discovering exactly how much the Gold Coast meant to me.

Guns N’ Roses did that, way back at the beginning, bringing back all the memories of nights spent wandering the beaches when no-one else was around, or laying claim to little bits of the Coast for art when it wasn’t a particularly art-friendly city.

I’d intended to focus on the mutability of the Gold Coast with the story, but I kept finding islands in the chaos. Little bits of reliability that served as touchstones for me, when I lived there, and bits of the story.

It’s still a deeply weird city, custom built for horror and urban fantasy stories where things tend to lurk behind the shifting population, doing bad things to humanity. But, much like Keith Murphy, there’s a party of me that is never really going to leave.

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Peter M. Ball is a writer from Brisbane, Australia. His most recent book is Crusade, the third novella in the Flostam series about Ragnarök and the Gold Coast, and his short stories have appeared in publications such as Apex Magazine, Eclipse 4, and Daily Science Fiction. He can be found online at petermball.com and on twitter @petermball.

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Tell Me - Dobromir Harrison

by Jennifer Brozek 16. February 2016 10:15

Rachel is a hot, sexy vampire story set in Tokyo. I really enjoyed it. Also, I think Dobromir is a great guy and an excellent author.
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The Man in Rags

Rachel was a mess.

Not the character, though she had her own problems, and they were entirely intentional on my part. But the story was going nowhere, and I was getting frustrated.

Rachel was my first novel, started as part of National Novel Writing Month in November, 2010. I had a beginning I liked, and Rachel herself appeared fully-formed, leaping off the page (iPad screen) and almost writing herself. I’d started with a dream of writing the best vampire story I could imagine – punky and violent; urban, gritty and drenched in blood; with that weight of history I love about the genre. Lost souls looking for succor in the wrong places, the beast within, et cetera, et cetera. It would be diverse and interesting, and take place in “real” Japan, not the stereotyped version we often see. I even set most of it in familiar locations. Rachel would fight and almost be killed a few blocks from my old apartment.

But a sinister man in rags was spoiling it all.

See, the second part of the book takes us away from Tokyo, and I’m not going to say where, but I’d finished 50,000 words by the end of November and most of it was a mess. I’m what George R. R. Martin calls a “gardener”; I write without planning, just get stuck into the words, then see what I have. Cut away most of the first draft and start again. And that’s how the ragged man crept into the book.

I knew when I wrote him he shouldn’t have been there. I’d added him as a disturbing antagonist in part 2, someone to challenge Rachel and drag her down, force her to the limit to survive. But he never belonged. Nothing seemed to improve him.

And I tried! I made him a vampire, then a human. A serial killer. I gave him sharp teeth, teeth all over his body. Made him pitiful and sad, then lord of where he lived. Then sad again. Friends who read my early drafts (and I am so sorry for what they had to plow through!) were polite, but I could tell none of them liked him. “Cartoonish” was the word I came up with, and people agreed. The rest of the story was gritty, the characters real and deep, but he was obviously in there to be “dark” and “edgy”, and it stuck out like a bloody knife handle.

There was only one recourse, and I couldn’t put it off any longer.

I cut him out. Just stripped him from the book. I deleted words, started again. Kept the darkness subtle. Pitted Rachel against real fears and situations. Her biggest enemy was always herself, I realized, and that’s when the pulsing heart of the story revealed itself, ripe and ready to be eaten, dripping down your chin. Rich and filling, like any good narrative.

Writing is rewriting, as better authors have said, and I rewrote a lot. Still do, and maybe that’s how I need to write. I don’t have the patience for planning, but I like writing and being surprised, and Rachel provided that for me. I hope other people respond to it in the same way now it’s out of my hands.

The best part, however, is that the man in rags is still in the book. I left traces of him, though you’d never know it. But I see them. It’s like he’s haunting the book; a sad, clownish figure, hiding between the words. That’s how I like to think of it, anyway. A swish, swish of his rags in the dead of night. Footsteps on creaky floorboards. The stench of his clothing as you lie in bed.

A hidden history, visible to a few, behind words that are much more effective for his absence.

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Dobromir Harrison is from the UK, spent 11 years in Japan, and recently moved to Northern California. A childhood spent reading the likes of Clive Barker has given him a love of the grotesque. He especially loves stories told from the monster's perspective, and is committed to writing diverse fiction exploring the lives of women, people of color and LGBT characters. When not writing, Dobromir plays board games with his wife. They live in Crescent City with their cat, Koshka, who keeps them awake most nights with a truly hideous meow.

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Latest Releases

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Never Let Me
YA SF-Thriller Omnibus

Amazon | Barnes&Noble |
Permuted Press

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Never Let Me Die
YA SF-Thriller Novel
Amazon | B&N |
Permuted Press


Never Let Me Leave
YA SF-Thriller Novel
Amazon | B&N |
Permuted Press


Never Let Me Sleep
YA SF-Thriller Novel

Amazon | B&N |
Permuted Press


DocWagon 19
Shadowrun novella
Amazon | BattleShop
DriveThruRPG


Chimera Incarnate

Karen Wilson Chronicles #4
More InformationBuy Now.
Amazon | DriveThruFiction


Apocalypse Girl Dreaming
Fiction collection
Amazon | B&N |
Evil Girlfriend Media

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Jazz Age Cthulhu
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Innsmouth Free Press


The Nellus Academy Incident
YA Battletech
novel
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Jennifer Brozek: Writerholic

Jennifer Brozek is a Hugo Award nominated editor and a Bram Stoker nominated author. Winner of the Australian Shadows Award for best edited publication, Jennifer has edited fifteen anthologies with more on the way, including the acclaimed Chicks Dig Gaming and Shattered Shields anthologies. Author of Apocalypse Girl Dreaming, Industry Talk, the Karen Wilson Chronicles, and the acclaimed Melissa Allen series, she has more than sixty-five published short stories, and is the Creative Director of Apocalypse Ink Productions.

Jennifer is a freelance author for numerous RPG companies. Winner of the Scribe, Origins, and ENnie awards, her contributions to RPG sourcebooks include Dragonlance, Colonial Gothic, Shadowrun, Serenity, Savage Worlds, and White Wolf SAS. Jennifer is the author of the YA Battletech novel, The Nellus Academy Incident, and the Shadowrun novella, Doc Wagon 19. She has also written for the AAA MMO Aion and the award winning videogame, Shadowrun Returns.

When she is not writing her heart out, she is gallivanting around the Pacific Northwest in its wonderfully mercurial weather. Jennifer is a Director-at-Large of SFWA, and an active member HWA and IAMTW. Follow her on Twitter at @JenniferBrozek.